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La presenza del "barbaro" : sulle contaminazioni nella musica dell'Antica Grecia
The presence of the "barbarian" : on contaminations in the music of ancient Greece
barbaric
Greeks
rationality
musical contamination
orientalism
Bibliogr. s. 83
Western musical culture has its roots in ancient Greece. In the history of music, therefore, the Hellenic world constitutes both the origin of an entire musical system that over the centuries has imposed itself hegemonically, and an inexhaustible source of historical, philosophical, and theoretical resources that Western musical culture has cyclically referred to, mainly to legitimize itself. Among these resources, one that historically has been the most discussed, most narrated, and most analyzed concerns the relationship based on the Hellenic/Barbarian duality. This has been sometimes understood in terms of conflicting repulsion, other times in terms of enriching cultural exchanges, and, finally, as a representation biased by ethnocentric ideologies and prejudices.
dc.abstract.en | Western musical culture has its roots in ancient Greece. In the history of music, therefore, the Hellenic world constitutes both the origin of an entire musical system that over the centuries has imposed itself hegemonically, and an inexhaustible source of historical, philosophical, and theoretical resources that Western musical culture has cyclically referred to, mainly to legitimize itself. Among these resources, one that historically has been the most discussed, most narrated, and most analyzed concerns the relationship based on the Hellenic/Barbarian duality. This has been sometimes understood in terms of conflicting repulsion, other times in terms of enriching cultural exchanges, and, finally, as a representation biased by ethnocentric ideologies and prejudices. | pl |
dc.contributor.author | Raganato, Emanuele | pl |
dc.date.accession | 2022-07-22 | pl |
dc.date.accessioned | 2022-07-22T07:24:43Z | |
dc.date.available | 2022-07-22T07:24:43Z | |
dc.date.issued | 2022 | pl |
dc.date.openaccess | 0 | |
dc.description.accesstime | w momencie opublikowania | |
dc.description.additional | Bibliogr. s. 83 | pl |
dc.description.number | 1 | pl |
dc.description.physical | 75-83 | pl |
dc.description.version | ostateczna wersja wydawcy | |
dc.description.volume | 10 | pl |
dc.identifier.doi | 10.26106/ks98-a902 | pl |
dc.identifier.eissn | 2353-3900 | pl |
dc.identifier.uri | https://ruj.uj.edu.pl/xmlui/handle/item/297757 | |
dc.identifier.weblink | https://www.orbisidearum.net/pdf/issue_17_article_109.pdf | pl |
dc.language | ita | pl |
dc.language.container | eng | pl |
dc.rights | Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa | * |
dc.rights.licence | CC-BY-NC-ND | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.pl | * |
dc.share.type | otwarte czasopismo | |
dc.subject.en | barbaric | pl |
dc.subject.en | Greeks | pl |
dc.subject.en | rationality | pl |
dc.subject.en | musical contamination | pl |
dc.subject.en | orientalism | pl |
dc.subtype | Article | pl |
dc.title | La presenza del "barbaro" : sulle contaminazioni nella musica dell'Antica Grecia | pl |
dc.title.alternative | The presence of the "barbarian" : on contaminations in the music of ancient Greece | pl |
dc.title.journal | Orbis Idearum | pl |
dc.type | JournalArticle | pl |
dspace.entity.type | Publication |
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