Tajemnica twarzy : o poznawaniu kobiety w "Pieśni nad Pieśniami"

2006
book section
article
dc.abstract.enThe sketch is dedicated to the cultural mystery of the face’s symbolism in the Old Testament’s Song of Songs. The problematics of interpreting the polymorphic text became the point of departure of formulating a hypothesis, according to which a woman’s face can be understood as an epiphany of God’s ideogram of the world. The face of the Beloved is a challenge, which has the character of an initiation. An attempt to encounter the face, and therefore to recognize the work of creation, has the cultural values of misterium tremendum and misterium fascinans. The Beloved, identified with the dark and awesome initiating goddess, does not let the meeting with the Lover be accomplished, for the risk of the death of the initiated. In this way, the unfulfilled initiation, the three attempts of an encounter ending up in the situation of parting, gain a gnoseologic dimension - are a figure of the fate of a human searching for an insight into reality, mediated by discovering a meaningful other - a loved person. The experience’s temporality was suggested in the text by a picture of an empty space, discovered by the Beloved behind the door opened for the Lover. The emptiness and the feeling of a cognitive ufulfillment, experienced by both the Lover and the Beloved, diagnose the painstaking efforts to encounter the Other as a mirror relation of the fear of initiation, discovered while attempting to unsolve the mystery of the face.The key to understand the cultural icon of the paradox of love seems to be, in the Song of Songs, the cognitive construction of the figure of a woman - the Beloved, built up in the attempts - undertaken three times - to meet with the Lover. The scheme of reaching the sense of reality through a person’s face allows to see in the Old Testament’s lyric the justification of dialogic interpretations of the human-God Text. Seeing the other’s face, showing one’s face to the other, becomes a metaphore of the epistemic risk - the encounter with the truth of the Other.pl
dc.affiliationWydział Polonistykipl
dc.contributor.authorKapusta, Anna - 149673 pl
dc.contributor.editorJarzyńska, Karina - 105786 pl
dc.contributor.editorKapusta, Anna - 149673 pl
dc.contributor.editorPochłódka-Wątorek, Anna - 142827 pl
dc.contributor.editorWojciechowska, Mariapl
dc.date.accessioned2021-08-03T08:38:00Z
dc.date.available2021-08-03T08:38:00Z
dc.date.issued2006pl
dc.date.openaccess168
dc.description.accesstimepo opublikowaniu
dc.description.additionalStrona wydawcy: https://www.wuj.plpl
dc.description.physical43-53pl
dc.description.publication0,69pl
dc.description.versionostateczna wersja wydawcy
dc.description.volume1pl
dc.identifier.isbn83-233-2162-0pl
dc.identifier.isbn978-83-233-2162-0pl
dc.identifier.projectROD UJ / OSpl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/276800
dc.languagepolpl
dc.language.containerpolpl
dc.pubinfoKraków : Wydawnictwo Uniwersytetu Jagiellońskiegopl
dc.rightsDozwolony użytek utworów chronionych*
dc.rights.licenceInna otwarta licencja
dc.rights.urihttp://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf*
dc.share.typeotwarte repozytorium
dc.subtypeArticlepl
dc.titleTajemnica twarzy : o poznawaniu kobiety w "Pieśni nad Pieśniami"pl
dc.title.alternativeThe mystery of the face : on coming to know a woman in the Song of Songspl
dc.title.containerRocznik Mitoznawczy : Studia Międzywydziałowej Grupy Badań nad Mitem Uniwersytetu Jagiellońskiegopl
dc.typeBookSectionpl
dspace.entity.typePublication
dc.abstract.enpl
The sketch is dedicated to the cultural mystery of the face’s symbolism in the Old Testament’s Song of Songs. The problematics of interpreting the polymorphic text became the point of departure of formulating a hypothesis, according to which a woman’s face can be understood as an epiphany of God’s ideogram of the world. The face of the Beloved is a challenge, which has the character of an initiation. An attempt to encounter the face, and therefore to recognize the work of creation, has the cultural values of misterium tremendum and misterium fascinans. The Beloved, identified with the dark and awesome initiating goddess, does not let the meeting with the Lover be accomplished, for the risk of the death of the initiated. In this way, the unfulfilled initiation, the three attempts of an encounter ending up in the situation of parting, gain a gnoseologic dimension - are a figure of the fate of a human searching for an insight into reality, mediated by discovering a meaningful other - a loved person. The experience’s temporality was suggested in the text by a picture of an empty space, discovered by the Beloved behind the door opened for the Lover. The emptiness and the feeling of a cognitive ufulfillment, experienced by both the Lover and the Beloved, diagnose the painstaking efforts to encounter the Other as a mirror relation of the fear of initiation, discovered while attempting to unsolve the mystery of the face.The key to understand the cultural icon of the paradox of love seems to be, in the Song of Songs, the cognitive construction of the figure of a woman - the Beloved, built up in the attempts - undertaken three times - to meet with the Lover. The scheme of reaching the sense of reality through a person’s face allows to see in the Old Testament’s lyric the justification of dialogic interpretations of the human-God Text. Seeing the other’s face, showing one’s face to the other, becomes a metaphore of the epistemic risk - the encounter with the truth of the Other.
dc.affiliationpl
Wydział Polonistyki
dc.contributor.authorpl
Kapusta, Anna - 149673
dc.contributor.editorpl
Jarzyńska, Karina - 105786
dc.contributor.editorpl
Kapusta, Anna - 149673
dc.contributor.editorpl
Pochłódka-Wątorek, Anna - 142827
dc.contributor.editorpl
Wojciechowska, Maria
dc.date.accessioned
2021-08-03T08:38:00Z
dc.date.available
2021-08-03T08:38:00Z
dc.date.issuedpl
2006
dc.date.openaccess
168
dc.description.accesstime
po opublikowaniu
dc.description.additionalpl
Strona wydawcy: https://www.wuj.pl
dc.description.physicalpl
43-53
dc.description.publicationpl
0,69
dc.description.version
ostateczna wersja wydawcy
dc.description.volumepl
1
dc.identifier.isbnpl
83-233-2162-0
dc.identifier.isbnpl
978-83-233-2162-0
dc.identifier.projectpl
ROD UJ / OS
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/276800
dc.languagepl
pol
dc.language.containerpl
pol
dc.pubinfopl
Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego
dc.rights*
Dozwolony użytek utworów chronionych
dc.rights.licence
Inna otwarta licencja
dc.rights.uri*
http://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf
dc.share.type
otwarte repozytorium
dc.subtypepl
Article
dc.titlepl
Tajemnica twarzy : o poznawaniu kobiety w "Pieśni nad Pieśniami"
dc.title.alternativepl
The mystery of the face : on coming to know a woman in the Song of Songs
dc.title.containerpl
Rocznik Mitoznawczy : Studia Międzywydziałowej Grupy Badań nad Mitem Uniwersytetu Jagiellońskiego
dc.typepl
BookSection
dspace.entity.type
Publication
Affiliations

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