Alle origini della sociologia della musica : dal concetto di razionalizzazione a quello di standardizzazione

doi:10.26106/49KY-SW44

Alle origini della sociologia della musica : dal concetto di razionalizzazione a quello di standardizzazione

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Alle origini della sociologia della musica : dal concetto di razionalizzazione a quello di standardizzazione

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title:	Alle origini della sociologia della musica : dal concetto di razionalizzazione a quello di standardizzazione
alternative title:	Back to the origins of the sociology of music : from rationalization to standardization
author:	Raganato Emanuele
journal title:	Orbis Idearum
volume:	6
issue:	2
date of publication :	2018
pages:	83-94
eISSN:	2353-3900
DOI:	10.26106/49KY-SW44
URL:	https://www.orbisidearum.net/pdf/issue_10_article_62.pdf
date accessed:	2020-10-28
notes:	Bibliogr. s. 93-94
language:	Italian
journal language:	English
abstract in English:	The concept of "standardization" was among the most used, in the 20th century, to describe and categorize socio-economic, as well as cultural, homologating and massifying processes. However, if the field of material consumption (technology, food, etc.) has been the one in which, more clearly, the standardization of production and consumption has given a new paradigm for interpreting current societies, even in music one, wonders, since the beginning of the last century, on the value of this homologation, identified by T.W. Adorno as, precisely, standardization.
keywords in English:	Weber (Max), Adorno (Theodor), rationalization, standardization, sociology of music
type:	journal article
subtype:	academic paper

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