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Alle origini della sociologia della musica : dal concetto di razionalizzazione a quello di standardizzazione
Journal
Orbis Idearum
Alternative title
Back to the origins of the sociology of music : from rationalization to standardization
Author
Raganato Emanuele
Volume
6
Number
2
Pages
83-94
eISSN
2353-3900
Keywords in English
Weber (Max)
Adorno (Theodor)
rationalization
standardization
sociology of music
Access date
2020-10-28
Remarks
Bibliogr. s. 93-94
Language
Italian
Journal language
English
Abstract in English
The concept of "standardization" was among the most used, in the 20th century, to describe and categorize socio-economic, as well as cultural, homologating and massifying processes. However, if the field of material consumption (technology, food, etc.) has been the one in which, more clearly, the standardization of production and consumption has given a new paradigm for interpreting current societies, even in music one, wonders, since the beginning of the last century, on the value of this homologation, identified by T.W. Adorno as, precisely, standardization.
| dc.abstract.en | The concept of "standardization" was among the most used, in the 20th century, to describe and categorize socio-economic, as well as cultural, homologating and massifying processes. However, if the field of material consumption (technology, food, etc.) has been the one in which, more clearly, the standardization of production and consumption has given a new paradigm for interpreting current societies, even in music one, wonders, since the beginning of the last century, on the value of this homologation, identified by T.W. Adorno as, precisely, standardization. | pl |
| dc.contributor.author | Raganato, Emanuele | pl |
| dc.date.accession | 2020-10-28 | pl |
| dc.date.accessioned | 2020-10-28T13:02:21Z | |
| dc.date.available | 2020-10-28T13:02:21Z | |
| dc.date.issued | 2018 | pl |
| dc.date.openaccess | 0 | |
| dc.description.accesstime | w momencie opublikowania | |
| dc.description.additional | Bibliogr. s. 93-94 | pl |
| dc.description.number | 2 | pl |
| dc.description.physical | 83-94 | pl |
| dc.description.version | ostateczna wersja wydawcy | |
| dc.description.volume | 6 | pl |
| dc.identifier.doi | 10.26106/49KY-SW44 | pl |
| dc.identifier.eissn | 2353-3900 | pl |
| dc.identifier.uri | https://ruj.uj.edu.pl/xmlui/handle/item/251721 | |
| dc.identifier.weblink | https://www.orbisidearum.net/pdf/issue_10_article_62.pdf | pl |
| dc.language | ita | pl |
| dc.language.container | eng | pl |
| dc.rights | Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa | * |
| dc.rights.licence | CC-BY-NC-ND | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.pl | * |
| dc.share.type | otwarte czasopismo | |
| dc.subject.en | Weber (Max) | pl |
| dc.subject.en | Adorno (Theodor) | pl |
| dc.subject.en | rationalization | pl |
| dc.subject.en | standardization | pl |
| dc.subject.en | sociology of music | pl |
| dc.subtype | Article | pl |
| dc.title | Alle origini della sociologia della musica : dal concetto di razionalizzazione a quello di standardizzazione | pl |
| dc.title.alternative | Back to the origins of the sociology of music : from rationalization to standardization | pl |
| dc.title.journal | Orbis Idearum | pl |
| dc.type | JournalArticle | pl |
| dspace.entity.type | Publication |
dc.abstract.enpl
The concept of "standardization" was among the most used, in the 20th century, to describe and categorize socio-economic, as well as cultural, homologating and massifying processes. However, if the field of material consumption (technology, food, etc.) has been the one in which, more clearly, the standardization of production and consumption has given a new paradigm for interpreting current societies, even in music one, wonders, since the beginning of the last century, on the value of this homologation, identified by T.W. Adorno as, precisely, standardization. dc.contributor.authorpl
Raganato, Emanuele dc.date.accessionpl
2020-10-28 dc.date.accessioned
2020-10-28T13:02:21Z dc.date.available
2020-10-28T13:02:21Z dc.date.issuedpl
2018 dc.date.openaccess
0 dc.description.accesstime
w momencie opublikowania dc.description.additionalpl
Bibliogr. s. 93-94 dc.description.numberpl
2 dc.description.physicalpl
83-94 dc.description.version
ostateczna wersja wydawcy dc.description.volumepl
6 dc.identifier.doipl
10.26106/49KY-SW44 dc.identifier.eissnpl
2353-3900 dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/251721 dc.identifier.weblinkpl
https://www.orbisidearum.net/pdf/issue_10_article_62.pdf dc.languagepl
ita dc.language.containerpl
eng dc.rights*
Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa dc.rights.licence
CC-BY-NC-ND dc.rights.uri*
http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.pl dc.share.type
otwarte czasopismo dc.subject.enpl
Weber (Max) dc.subject.enpl
Adorno (Theodor) dc.subject.enpl
rationalization dc.subject.enpl
standardization dc.subject.enpl
sociology of music dc.subtypepl
Article dc.titlepl
Alle origini della sociologia della musica : dal concetto di razionalizzazione a quello di standardizzazione dc.title.alternativepl
Back to the origins of the sociology of music : from rationalization to standardization dc.title.journalpl
Orbis Idearum dc.typepl
JournalArticle dspace.entity.type
Publication Affiliations
No affiliation
Raganato, Emanuele
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