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Semiotics of the Ottoman bridge : between its origins and Ivo Andrić
Journal
Zeszyty Naukowe Towarzystwa Doktorantów Uniwersytetu Jagiellońskiego. Nauki Społeczne
Author
Mirocha Piotr
Number
24 (1)
Title of volume
Turkish yoke or pax Ottomana : the reception of Ottoman heritage in the Balkan history and culture
Pages
167-180
ISSN
2299-2383
eISSN
2082-9213
Keywords in English
Western Balkans
Yugoslavia
spatial semiotics
Ivo Andrić
Ottoman architecture
orientalism
Remarks
Bibliogr. s. 178-180
Language
English
Journal language
English
Abstract in English
One of the persisting motives in the Southeastern European cultures is a bridge. This metaphor occurs since at least 19th century, when it became used in political projects aiming to unite Southern Slavs (e.g. J. J. Strossmayer). In most of the cases, it symbolizes bridging the gap between the West and the East. However, it was the Ottoman stone bridges that were filled with a plethora of metaphorical meanings, mostly thanks to the Yugoslavian novelist Ivo Andrić. Stone bridges, a part of the Ottoman heritage in the Balkan, started to be perceived as symbols of humanist values and durability of edifices among the contingency of human existence.
Affiliation
Wydział Filologiczny
| cris.lastimport.wos | 2024-04-09T18:11:40Z | |
| dc.abstract.en | One of the persisting motives in the Southeastern European cultures is a bridge. This metaphor occurs since at least 19th century, when it became used in political projects aiming to unite Southern Slavs (e.g. J. J. Strossmayer). In most of the cases, it symbolizes bridging the gap between the West and the East. However, it was the Ottoman stone bridges that were filled with a plethora of metaphorical meanings, mostly thanks to the Yugoslavian novelist Ivo Andrić. Stone bridges, a part of the Ottoman heritage in the Balkan, started to be perceived as symbols of humanist values and durability of edifices among the contingency of human existence. | pl |
| dc.affiliation | Wydział Filologiczny | pl |
| dc.contributor.author | Mirocha, Piotr - 205814 | pl |
| dc.date.accessioned | 2019-09-26T08:27:04Z | |
| dc.date.available | 2019-09-26T08:27:04Z | |
| dc.date.issued | 2019 | pl |
| dc.date.openaccess | 0 | |
| dc.description.accesstime | w momencie opublikowania | |
| dc.description.additional | Bibliogr. s. 178-180 | pl |
| dc.description.number | 24 (1) | pl |
| dc.description.physical | 167-180 | pl |
| dc.description.version | ostateczna wersja wydawcy | |
| dc.identifier.doi | 10.26361/ZNTDSP.10.2019.24.9 | pl |
| dc.identifier.eissn | 2082-9213 | pl |
| dc.identifier.issn | 2299-2383 | pl |
| dc.identifier.project | ROD UJ / OP | pl |
| dc.identifier.uri | https://ruj.uj.edu.pl/xmlui/handle/item/83476 | |
| dc.language | eng | pl |
| dc.language.container | eng | pl |
| dc.rights | Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne 3.0 Polska | * |
| dc.rights.licence | CC-BY-NC | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc/3.0/pl/legalcode | * |
| dc.share.type | otwarte czasopismo | |
| dc.subject.en | Western Balkans | pl |
| dc.subject.en | Yugoslavia | pl |
| dc.subject.en | spatial semiotics | pl |
| dc.subject.en | Ivo Andrić | pl |
| dc.subject.en | Ottoman architecture | pl |
| dc.subject.en | orientalism | pl |
| dc.subtype | Article | pl |
| dc.title | Semiotics of the Ottoman bridge : between its origins and Ivo Andrić | pl |
| dc.title.journal | Zeszyty Naukowe Towarzystwa Doktorantów Uniwersytetu Jagiellońskiego. Nauki Społeczne | pl |
| dc.title.volume | Turkish yoke or pax Ottomana : the reception of Ottoman heritage in the Balkan history and culture | pl |
| dc.type | JournalArticle | pl |
| dspace.entity.type | Publication |
cris.lastimport.wos
2024-04-09T18:11:40Z dc.abstract.enpl
One of the persisting motives in the Southeastern European cultures is a bridge. This metaphor occurs since at least 19th century, when it became used in political projects aiming to unite Southern Slavs (e.g. J. J. Strossmayer). In most of the cases, it symbolizes bridging the gap between the West and the East. However, it was the Ottoman stone bridges that were filled with a plethora of metaphorical meanings, mostly thanks to the Yugoslavian novelist Ivo Andrić. Stone bridges, a part of the Ottoman heritage in the Balkan, started to be perceived as symbols of humanist values and durability of edifices among the contingency of human existence. dc.affiliationpl
Wydział Filologiczny dc.contributor.authorpl
Mirocha, Piotr - 205814 dc.date.accessioned
2019-09-26T08:27:04Z dc.date.available
2019-09-26T08:27:04Z dc.date.issuedpl
2019 dc.date.openaccess
0 dc.description.accesstime
w momencie opublikowania dc.description.additionalpl
Bibliogr. s. 178-180 dc.description.numberpl
24 (1) dc.description.physicalpl
167-180 dc.description.version
ostateczna wersja wydawcy dc.identifier.doipl
10.26361/ZNTDSP.10.2019.24.9 dc.identifier.eissnpl
2082-9213 dc.identifier.issnpl
2299-2383 dc.identifier.projectpl
ROD UJ / OP dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/83476 dc.languagepl
eng dc.language.containerpl
eng dc.rights*
Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne 3.0 Polska dc.rights.licence
CC-BY-NC dc.rights.uri*
http://creativecommons.org/licenses/by-nc/3.0/pl/legalcode dc.share.type
otwarte czasopismo dc.subject.enpl
Western Balkans dc.subject.enpl
Yugoslavia dc.subject.enpl
spatial semiotics dc.subject.enpl
Ivo Andrić dc.subject.enpl
Ottoman architecture dc.subject.enpl
orientalism dc.subtypepl
Article dc.titlepl
Semiotics of the Ottoman bridge : between its origins and Ivo Andrić dc.title.journalpl
Zeszyty Naukowe Towarzystwa Doktorantów Uniwersytetu Jagiellońskiego. Nauki Społeczne dc.title.volumepl
Turkish yoke or pax Ottomana : the reception of Ottoman heritage in the Balkan history and culture dc.typepl
JournalArticle dspace.entity.type
Publication Affiliations
Wydział Filologiczny
Mirocha, Piotr
* The migration of download and view statistics prior to the date of April 8, 2024 is in progress.
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