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Traces of the Ottoman musical tradition in early 20th-century Western-style Turkish art music
Turkish music
Ottoman music
Turkish Five
Milli Musiki
Bibliogr. s. 141-142
The Turkish Five (Türk Beşleri) is a name given to a group of composers whose works set out the direction for modern Western-style Turkish art music. After the proclamation of the Republic of Turkey in 1923, the new generation of musicians trained in Europe had been given the task to establish a new musical tradition for the modern Turkish society. It was supposed to replace the Ottoman musical tradition. According to outlines given by the Turkish government, the new "National Music" (Millî Musiki) should encompass elements of Western-style art music and melodies of Turkish folk music. Five composers were especially successful in fulfilling this task, Necil Kâzım Akses, Hasan Ferit Alnar, Ulvi Cemal Erkin, Ahmet Adnan Saygun and Cemal Reşit Rey. By their compositions, they brought to live music that was appreciated by Kemal Atatürk himself. Although they were supposed to avoid any elements of the Ottoman musical tradition, even in the most popular works of this period, one can hear influences that were not to be heard in the Millî Musiki. In this paper, the author presents the main guidelines and historical overview of the "musical revolution" which took place in Turkey of the early-republican period (1923-1938). Next, provides a list of compositions which prove her thesis that composers born in 1904-1908, as the youngest generation of the Ottoman Empire's elite, did not completely reject the Ottoman musical heritage in which they were raised and brought some of its elements into 20th-century Western-style Turkish classical music.
dc.abstract.en | The Turkish Five (Türk Beşleri) is a name given to a group of composers whose works set out the direction for modern Western-style Turkish art music. After the proclamation of the Republic of Turkey in 1923, the new generation of musicians trained in Europe had been given the task to establish a new musical tradition for the modern Turkish society. It was supposed to replace the Ottoman musical tradition. According to outlines given by the Turkish government, the new "National Music" (Millî Musiki) should encompass elements of Western-style art music and melodies of Turkish folk music. Five composers were especially successful in fulfilling this task, Necil Kâzım Akses, Hasan Ferit Alnar, Ulvi Cemal Erkin, Ahmet Adnan Saygun and Cemal Reşit Rey. By their compositions, they brought to live music that was appreciated by Kemal Atatürk himself. Although they were supposed to avoid any elements of the Ottoman musical tradition, even in the most popular works of this period, one can hear influences that were not to be heard in the Millî Musiki. In this paper, the author presents the main guidelines and historical overview of the "musical revolution" which took place in Turkey of the early-republican period (1923-1938). Next, provides a list of compositions which prove her thesis that composers born in 1904-1908, as the youngest generation of the Ottoman Empire's elite, did not completely reject the Ottoman musical heritage in which they were raised and brought some of its elements into 20th-century Western-style Turkish classical music. | pl |
dc.affiliation | Wydział Filologiczny | pl |
dc.contributor.author | Pawlina, Agata - 177552 | pl |
dc.date.accessioned | 2019-09-26T08:05:48Z | |
dc.date.available | 2019-09-26T08:05:48Z | |
dc.date.issued | 2019 | pl |
dc.date.openaccess | 0 | |
dc.description.accesstime | w momencie opublikowania | |
dc.description.additional | Bibliogr. s. 141-142 | pl |
dc.description.number | 24 (1) | pl |
dc.description.physical | 131-142 | pl |
dc.description.version | ostateczna wersja wydawcy | |
dc.identifier.doi | 10.26361/ZNTDSP.10.2019.24.7 | pl |
dc.identifier.eissn | 2082-9213 | pl |
dc.identifier.issn | 2299-2383 | pl |
dc.identifier.project | ROD UJ / OP | pl |
dc.identifier.uri | https://ruj.uj.edu.pl/xmlui/handle/item/83471 | |
dc.language | eng | pl |
dc.language.container | eng | pl |
dc.rights | Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne 3.0 Polska | * |
dc.rights.licence | CC-BY-NC | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc/3.0/pl/legalcode | * |
dc.share.type | otwarte czasopismo | |
dc.subject.en | Turkish music | pl |
dc.subject.en | Ottoman music | pl |
dc.subject.en | Turkish Five | pl |
dc.subject.en | Milli Musiki | pl |
dc.subtype | Article | pl |
dc.title | Traces of the Ottoman musical tradition in early 20th-century Western-style Turkish art music | pl |
dc.title.journal | Zeszyty Naukowe Towarzystwa Doktorantów Uniwersytetu Jagiellońskiego. Nauki Społeczne | pl |
dc.title.volume | Turkish yoke or pax Ottomana : the reception of Ottoman heritage in the Balkan history and culture | pl |
dc.type | JournalArticle | pl |
dspace.entity.type | Publication |
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