Niewczesne wesele : panny młode w teatrze Tadeusza Kantora

2017
journal article
article
dc.abstract.enThe author analyses assorted versions of the bride occuring in selected spectacles by Tadeusz Kantor by closely following the evolution of this motif, significant in Kantor's oeuvre. The article also focuses on the status of the Kantorian mannequin, changing in the course of succesive theatrical realisations and described upon certain occasions by the artists as a "puppet" or a "wax figure" that could function as the actor's "companion", his sui generis prolongation (similar to the bio-object), a supplementary doppelganger or a model of the actor's performance. Within this context references to the symbolism of Blok or Maeterlinck assume an essential rank as does situating the dramatis persona between life (actor) and death (mannequin and its variants) as well as the consequences of such a borderline quality for the staging.pl
dc.affiliationWydział Polonistykipl
dc.contributor.authorCzerska, Karolina - 213767 pl
dc.date.accessioned2019-05-23T12:39:14Z
dc.date.available2019-05-23T12:39:14Z
dc.date.issued2017pl
dc.description.additionalPrzypisy s. 268-269pl
dc.description.number1-2 (316-317)pl
dc.description.physical263-269pl
dc.description.publication0,89pl
dc.description.volume71pl
dc.identifier.issn1230-6142pl
dc.identifier.projectROD UJ / Opl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/75604
dc.languagepolpl
dc.language.containerpolpl
dc.rightsDodaję tylko opis bibliograficzny*
dc.rights.licenceBez licencji otwartego dostępu
dc.rights.uri*
dc.subtypeArticlepl
dc.titleNiewczesne wesele : panny młode w teatrze Tadeusza Kantorapl
dc.title.alternativeThe untimely wedding : brides in the theatre of Tadeusz Kantorpl
dc.title.journalKontekstypl
dc.title.volumeKonteksty rzeczywistości, rzeczywistość w "Kontekstach"pl
dc.typeJournalArticlepl
dspace.entity.typePublication
dc.abstract.enpl
The author analyses assorted versions of the bride occuring in selected spectacles by Tadeusz Kantor by closely following the evolution of this motif, significant in Kantor's oeuvre. The article also focuses on the status of the Kantorian mannequin, changing in the course of succesive theatrical realisations and described upon certain occasions by the artists as a "puppet" or a "wax figure" that could function as the actor's "companion", his sui generis prolongation (similar to the bio-object), a supplementary doppelganger or a model of the actor's performance. Within this context references to the symbolism of Blok or Maeterlinck assume an essential rank as does situating the dramatis persona between life (actor) and death (mannequin and its variants) as well as the consequences of such a borderline quality for the staging.
dc.affiliationpl
Wydział Polonistyki
dc.contributor.authorpl
Czerska, Karolina - 213767
dc.date.accessioned
2019-05-23T12:39:14Z
dc.date.available
2019-05-23T12:39:14Z
dc.date.issuedpl
2017
dc.description.additionalpl
Przypisy s. 268-269
dc.description.numberpl
1-2 (316-317)
dc.description.physicalpl
263-269
dc.description.publicationpl
0,89
dc.description.volumepl
71
dc.identifier.issnpl
1230-6142
dc.identifier.projectpl
ROD UJ / O
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/75604
dc.languagepl
pol
dc.language.containerpl
pol
dc.rights*
Dodaję tylko opis bibliograficzny
dc.rights.licence
Bez licencji otwartego dostępu
dc.rights.uri*
dc.subtypepl
Article
dc.titlepl
Niewczesne wesele : panny młode w teatrze Tadeusza Kantora
dc.title.alternativepl
The untimely wedding : brides in the theatre of Tadeusz Kantor
dc.title.journalpl
Konteksty
dc.title.volumepl
Konteksty rzeczywistości, rzeczywistość w "Kontekstach"
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

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