Jagiellonian University Repository

Films that gave us boldness : East European documentaries screened in Poland (1987-1993) as reflected in the film press of the time

Communities & Collections

pcg.skipToMenu

Films that gave us boldness : East European documentaries screened in Poland (1987-1993) as reflected in the film press of the time

Show full item record

dc.contributor.author Hučková, Jadwiga [SAP11011790] pl
dc.contributor.editor Mąka-Malatyńska, Katarzyna pl
dc.contributor.editor Jazdon, Mikołaj pl
dc.date.accessioned 2015-05-13T06:13:19Z
dc.date.available 2015-05-13T06:13:19Z
dc.date.issued 2014 pl
dc.identifier.isbn 978-83-232-2792-2 pl
dc.identifier.uri http://ruj.uj.edu.pl/xmlui/handle/item/6925
dc.language eng pl
dc.title Films that gave us boldness : East European documentaries screened in Poland (1987-1993) as reflected in the film press of the time pl
dc.type BookSection pl
dc.pubinfo Poznań : Wydawnictwo Naukowe UAM pl
dc.description.physical 250-256 pl
dc.description.additional Na dokumencie pomyłka w numeracji stron artykułu: 270-276 pl
dc.identifier.weblink http://pressto.amu.edu.pl/index.php/i/article/view/1338 pl
dc.abstract.en "Films from East" signalling the political breakdown in the middle of the 1980s (the Gorbachev era) were welcomed in the official circulation system. The films were screened not only in festival cinemas, but on TV as well, and were discussed in newspapers and magazines. Soviet films were especially important because they were able to carry new information about the changes taking place in Eastern Europe. If independent ideas appeared in a Polish film, it could be banned from screening, as censorship was sensitive to works “threatening socialism” and “disturbing the alliance”. The only country in our part of Europe which did not need to be afraid of “disturbing the alliance” was the Soviet Union. We can distinguish three groups of such documentaries: analyses of social life (for example: Is It Easy to be Young? by Yuris Podnieks, Borderline by Tatiana Skabard), films about contemporary threats, provoked by the Chernobyl disaster (An Unpublished Album by Victor Kripchenko and Volodymyr Taranchenko, Chernobyl the Chronicle of Difficult Weeks by Volodymyr Shevchenko) and documentaries “squaring accounts” with history, filling in so-called “blank spots” (Termination of an Agreement by Murat Mamedov, Solovki Power by Marina Goldovskaya). pl
dc.subject.en Eastern European documentaries pl
dc.subject.en film press pl
dc.subject.en censorship pl
dc.subject.en Juris Podnieks pl
dc.subject.en Tatiana Skabard pl
dc.subject.en Victor Kripchenko pl
dc.subject.en Volodymyr Taranchenko pl
dc.subject.en Volodymyr Shevchenko pl
dc.subject.en Murat Mamedov pl
dc.subject.en Marina Goldovskaya pl
dc.description.series Images (Gniezno), ISSN 1731-450X; Vol. 15, nr 24 (2014) pl
dc.description.publication 0,7 pl
dc.title.container 21st-century documentary film in east and central Europe pl
dc.language.container eng pl
dc.date.accession 2015-05-13 pl
dc.affiliation Wydział Zarządzania i Komunikacji Społecznej : Instytut Sztuk Audiowizualnych pl
dc.subtype Article pl
dc.rights.original OTHER; otwarte czasopismo; ostateczna wersja wydawcy; w momencie opublikowania; 0; pl
.pointsMNiSW [2014 C]: 10


Files in this item

Files Size Format View

There are no files associated with this item.

This item appears in the following Collection(s)