Głos kompozytora w wierszu : o podmiotowości cyklu "Les Nuits d’Eté" Hectora Berlioza do słów Théophile'a Gautier

2008
book section
article
dc.abstract.enIn the Ovid’s story, Narcissus recognizes himself by identifying his "I" with an image which he conceives as his own refl ection. Th e mirror overwhelms and remains silent: the tone of words does not refl ect on the surface of water, no sound interrupts the identity monologue of Narcissus. The domain of voice belongs to Echo. Punished by Iuno for linguistic manipulations and sentenced to eternal repeating someone else’s words, the nymph retains a surprising ability to shape their sense without changing a "letter". Sentences which Narcissus directs to her mean exclusion repeated by Echo’s voice and become lover’s confession. In 1841 Hector Berlioz selected and included in the score which he was writing, several verses from the volume Comédie de la mort by Teophil Gautier. The words of the poet were adopted by the composer in an almost unchanged form, however the text changed its meaning. The meaning of the new, poetic-musical discourse was shaped by confrontation of the rhythms of the poetic discourse with musical rhythms of the composer, whose experiments in this domain were recorded and described years ago by shrewd Carl Dahlhaus. Combined into a musical cycle, the poems entitled Les Nuits d’Ete and signed by Berlioz start to delicately draft the plot of the story which the composer supported a posteriori by his biographers, turned into one more fragment-mirror of his autobiographical creation. Victor Hugo (in vain) made it clear that he objected to composing music to his poems. Teophil Gautier, consciously and discreetly remained silent.pl
dc.affiliationWydział Polonistykipl
dc.contributor.authorWojda, Aleksandra - 255693 pl
dc.contributor.editorKorytowska, Maria - 129160 pl
dc.contributor.editorPuchalska, Iwona - 131586 pl
dc.contributor.editorSiwiec, Magdalena - 131889 pl
dc.date.accessioned2019-01-29T18:18:08Z
dc.date.available2019-01-29T18:18:08Z
dc.date.issued2008pl
dc.date.openaccess132
dc.description.accesstimepo opublikowaniu
dc.description.additionalStreszcz. po ang. Recenzowane materiały z konferencji naukowej: Oblicza Narcyza : obecność autora w dziele, dn. 17-19 października 2007 r., Kraków. Strona wydawcy: https://www.wuj.plpl
dc.description.physical609-619pl
dc.description.publication0,51pl
dc.description.versionostateczna wersja wydawcy
dc.identifier.isbn978-83-233-2556-7pl
dc.identifier.projectROD UJ / OPpl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/67063
dc.languagepolpl
dc.language.containerpolpl
dc.pubinfoKraków : Wydawnictwo Uniwersytetu Jagiellońskiegopl
dc.rightsDozwolony użytek utworów chronionych*
dc.rights.licenceInna otwarta licencja
dc.rights.urihttp://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf*
dc.share.typeotwarte repozytorium
dc.subject.enmusicpl
dc.subject.enpoetrypl
dc.subject.enHector Berliozpl
dc.subject.enThéophile Gautierpl
dc.subject.plmuzykapl
dc.subject.plpoezjapl
dc.subject.plHector Berliozpl
dc.subject.plThéophile Gautierpl
dc.subtypeArticlepl
dc.titleGłos kompozytora w wierszu : o podmiotowości cyklu "Les Nuits d’Eté" Hectora Berlioza do słów Théophile'a Gautierpl
dc.title.alternativeA voice on uniqueness : on poetic-musical subjectivity of. H. Berlioz’s "Summer nights" to the lyrics by T. Gautierpl
dc.title.containerOblicza Narcyza : obecność autora w dzielepl
dc.typeBookSectionpl
dspace.entity.typePublication
dc.abstract.enpl
In the Ovid’s story, Narcissus recognizes himself by identifying his "I" with an image which he conceives as his own refl ection. Th e mirror overwhelms and remains silent: the tone of words does not refl ect on the surface of water, no sound interrupts the identity monologue of Narcissus. The domain of voice belongs to Echo. Punished by Iuno for linguistic manipulations and sentenced to eternal repeating someone else’s words, the nymph retains a surprising ability to shape their sense without changing a "letter". Sentences which Narcissus directs to her mean exclusion repeated by Echo’s voice and become lover’s confession. In 1841 Hector Berlioz selected and included in the score which he was writing, several verses from the volume Comédie de la mort by Teophil Gautier. The words of the poet were adopted by the composer in an almost unchanged form, however the text changed its meaning. The meaning of the new, poetic-musical discourse was shaped by confrontation of the rhythms of the poetic discourse with musical rhythms of the composer, whose experiments in this domain were recorded and described years ago by shrewd Carl Dahlhaus. Combined into a musical cycle, the poems entitled Les Nuits d’Ete and signed by Berlioz start to delicately draft the plot of the story which the composer supported a posteriori by his biographers, turned into one more fragment-mirror of his autobiographical creation. Victor Hugo (in vain) made it clear that he objected to composing music to his poems. Teophil Gautier, consciously and discreetly remained silent.
dc.affiliationpl
Wydział Polonistyki
dc.contributor.authorpl
Wojda, Aleksandra - 255693
dc.contributor.editorpl
Korytowska, Maria - 129160
dc.contributor.editorpl
Puchalska, Iwona - 131586
dc.contributor.editorpl
Siwiec, Magdalena - 131889
dc.date.accessioned
2019-01-29T18:18:08Z
dc.date.available
2019-01-29T18:18:08Z
dc.date.issuedpl
2008
dc.date.openaccess
132
dc.description.accesstime
po opublikowaniu
dc.description.additionalpl
Streszcz. po ang. Recenzowane materiały z konferencji naukowej: Oblicza Narcyza : obecność autora w dziele, dn. 17-19 października 2007 r., Kraków. Strona wydawcy: https://www.wuj.pl
dc.description.physicalpl
609-619
dc.description.publicationpl
0,51
dc.description.version
ostateczna wersja wydawcy
dc.identifier.isbnpl
978-83-233-2556-7
dc.identifier.projectpl
ROD UJ / OP
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/67063
dc.languagepl
pol
dc.language.containerpl
pol
dc.pubinfopl
Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego
dc.rights*
Dozwolony użytek utworów chronionych
dc.rights.licence
Inna otwarta licencja
dc.rights.uri*
http://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf
dc.share.type
otwarte repozytorium
dc.subject.enpl
music
dc.subject.enpl
poetry
dc.subject.enpl
Hector Berlioz
dc.subject.enpl
Théophile Gautier
dc.subject.plpl
muzyka
dc.subject.plpl
poezja
dc.subject.plpl
Hector Berlioz
dc.subject.plpl
Théophile Gautier
dc.subtypepl
Article
dc.titlepl
Głos kompozytora w wierszu : o podmiotowości cyklu "Les Nuits d’Eté" Hectora Berlioza do słów Théophile'a Gautier
dc.title.alternativepl
A voice on uniqueness : on poetic-musical subjectivity of. H. Berlioz’s "Summer nights" to the lyrics by T. Gautier
dc.title.containerpl
Oblicza Narcyza : obecność autora w dziele
dc.typepl
BookSection
dspace.entity.type
Publication
Affiliations

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