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Socrealizam u književnim predodžbama rata (slučaj hrvatske proze)
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Except where otherwise noted, this item's license is described as Udzielam licencji. Uznanie autorstwa 3.0 Polska
Socrealizam u književnim predodžbama rata (slučaj hrvatske proze)
Bibliographic description
| title: | Socrealizam u književnim predodžbama rata (slučaj hrvatske proze) |
| alternative title: |
Socialist realism in literary depictions of war (the case of Croatian prose narrative) |
| author: | Czerwiński Maciej 
|
| journal title: | Fluminensia |
| volume: | 29 |
| issue: | 2 |
| date of publication : | 2017 |
| pages: | 139-155 |
| ISSN: |
0353-4642 |
| eISSN: |
1848-9680 |
| URL: | |
| date accessed: |
2018-01-05 |
| language: | Croatian |
| journal language: | Croatian |
| abstract in English: | In this article paradigms of socialist realist poetics in prose narrative on World War Two are taken into consideration. Some key ideologemes of socialist realism and communist worldview are underlined, such as absence of ambiguity (unequivocalness), simplifications, consistent mimeticism (truthful and historically concrete representation of reality), class awareness, militancy and heroism in war. Alongside theoretical and official directives, formulated by dogmatic theoreticians of socialist realist doctrine (like Jure Franičević-Pločar who based his understandings of literature on the Soviet principles, created by Zhdanov and Stalin), there are given analyses of some literary texts written by Josip Barković, Joža Horvat, Ivo Andrić i Mate Beretin. The author focuses on literary construction of characters – the prototype illegal partisans who ruthlessly struggle against the occupiers as well as chronotopic settings which enable for the action to be set within schematized conflict of good and evil. Including the new communist man, that is created during the revolution, there are given crucial political orientations concerning the canonized vision of the war, such as the principle of symmetry (meaning that all peoples’ traitors are fascists) and the vision of the liberation from fascism as the victory of the communist revolution (in this perspective, communists are depicted as the sole antifascists). |
| keywords in English: | socialist realism, language of totalitarian culture, a new man, World War Two, Partisan’s image of world |
| keywords in other languages: | socrealizam, jezik totalitarne kulture, čovjek novog kova, Drugi svjetski rat, partizanska slika svijeta |
| number of pulisher's sheets: | 1 |
| affiliation: | Wydział Filologiczny : Instytut Filologii Słowiańskiej |
| type: | journal article |
| subtype: | academic paper |
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Except where otherwise noted, this item's license is described as Udzielam licencji. Uznanie autorstwa 3.0 Polska
Projekt „Repozytorium otwartego dostępu do dorobku naukowego i dydaktycznego UJ” współfinansowany w ramach poddziałania 2.3.1 „Cyfrowe udostępnianie zasobów nauki” Programu Operacyjnego Polska Cyfrowa z Europejskiego Funduszu Rozwoju Regionalnego i budżetu państwa na podstawie umowy o dofinansowanie nr POPC.02.03.01-00-0030/17-00
