Om ikonoklasmen hos Birgitta Trotzig

2016
journal article
article
dc.abstract.enThe Swedish writer Birgitta Trotzig (1928–2011) defines her own process of literary creation in interart terms as a translation of pictures into verbal signs. She often comments on the intersemiotic difficulties involved in this transformation by referring to the Byzantine iconoclastic controversy. Using Trotzig’s notion of the iconoclastic controversy as a starting point, the present article investigates her understanding of the picture-word-transformation problems. The line of argument comprises five stages. In the first stage, the main issue of the article is presented and specified. In the second stage, it is argued that previous critical approaches to Trotzig’s Byzantinism in most cases have been based on misleadingly anachronistic and mainly Occidental categories. In the third stage, the Byzantine iconoclastic controversy is related to the distinctive character of the theological thought of the Eastern Church. In the fourth stage, the Byzantine iconophile and iconoclast theories are applied to Trotzig’s literary works. A close reading of a representative prose poem of hers, “Teologiska variationer” (“Theological variations”), demonstrates that her works unequivocally support the icon theology of the iconodules. In the closing fifth stage, Trotzig’s notion of the Byzantine iconoclastic controversy is reconstructed on the basis of her essays and interviews in which she explains her own as well as other authors’ intersemiotic difficulties. In conclusion, these difficulties are related to general aesthetic, political, ideological and philophical conflicts, all of which are – paradoxically – diagnosed by Trotzig herself in typical categories of Western theology.pl
dc.affiliationWydział Filologiczny : Instytut Filologii Germańskiejpl
dc.contributor.authorBak, Krzysztof - 127169 pl
dc.date.accession2016-07-05pl
dc.date.accessioned2016-07-05T07:44:00Z
dc.date.available2016-07-05T07:44:00Z
dc.date.created2015pl
dc.date.issued2016pl
dc.date.openaccess24
dc.description.accesstimepo opublikowaniu
dc.description.additionalBibliogr. s. 294-297pl
dc.description.number4pl
dc.description.physical275-297pl
dc.description.points14pl
dc.description.publication1,9pl
dc.description.versionostateczna wersja wydawcy
dc.description.volume10pl
dc.identifier.doi10.4467/20843933ST.15.025.4584pl
dc.identifier.eissn2084-3933pl
dc.identifier.issn1897-3035pl
dc.identifier.projectROD UJ / Ppl
dc.identifier.urihttp://ruj.uj.edu.pl/xmlui/handle/item/28661
dc.identifier.weblinkhttp://www.ejournals.eu/Studia-Litteraria/2015/Issue-4/art/7182/pl
dc.languageswepl
dc.language.containerpolpl
dc.rightsDozwolony użytek utworów chronionych*
dc.rights.licenceInna otwarta licencja
dc.rights.urihttp://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf*
dc.share.typeinne
dc.subject.enBirgitta Trotzigpl
dc.subject.eniconoclastic controversypl
dc.subject.enByzantine theology of iconpl
dc.subject.enintersemiotic transformationpl
dc.subject.enintermedialitypl
dc.subtypeArticlepl
dc.titleOm ikonoklasmen hos Birgitta Trotzigpl
dc.title.alternativeOn Birgitta Trotzig's notion of iconoclasmpl
dc.title.journalStudia Litteraria Universitatis Iagellonicae Cracoviensispl
dc.typeJournalArticlepl
dspace.entity.typePublication
dc.abstract.enpl
The Swedish writer Birgitta Trotzig (1928–2011) defines her own process of literary creation in interart terms as a translation of pictures into verbal signs. She often comments on the intersemiotic difficulties involved in this transformation by referring to the Byzantine iconoclastic controversy. Using Trotzig’s notion of the iconoclastic controversy as a starting point, the present article investigates her understanding of the picture-word-transformation problems. The line of argument comprises five stages. In the first stage, the main issue of the article is presented and specified. In the second stage, it is argued that previous critical approaches to Trotzig’s Byzantinism in most cases have been based on misleadingly anachronistic and mainly Occidental categories. In the third stage, the Byzantine iconoclastic controversy is related to the distinctive character of the theological thought of the Eastern Church. In the fourth stage, the Byzantine iconophile and iconoclast theories are applied to Trotzig’s literary works. A close reading of a representative prose poem of hers, “Teologiska variationer” (“Theological variations”), demonstrates that her works unequivocally support the icon theology of the iconodules. In the closing fifth stage, Trotzig’s notion of the Byzantine iconoclastic controversy is reconstructed on the basis of her essays and interviews in which she explains her own as well as other authors’ intersemiotic difficulties. In conclusion, these difficulties are related to general aesthetic, political, ideological and philophical conflicts, all of which are – paradoxically – diagnosed by Trotzig herself in typical categories of Western theology.
dc.affiliationpl
Wydział Filologiczny : Instytut Filologii Germańskiej
dc.contributor.authorpl
Bak, Krzysztof - 127169
dc.date.accessionpl
2016-07-05
dc.date.accessioned
2016-07-05T07:44:00Z
dc.date.available
2016-07-05T07:44:00Z
dc.date.createdpl
2015
dc.date.issuedpl
2016
dc.date.openaccess
24
dc.description.accesstime
po opublikowaniu
dc.description.additionalpl
Bibliogr. s. 294-297
dc.description.numberpl
4
dc.description.physicalpl
275-297
dc.description.pointspl
14
dc.description.publicationpl
1,9
dc.description.version
ostateczna wersja wydawcy
dc.description.volumepl
10
dc.identifier.doipl
10.4467/20843933ST.15.025.4584
dc.identifier.eissnpl
2084-3933
dc.identifier.issnpl
1897-3035
dc.identifier.projectpl
ROD UJ / P
dc.identifier.uri
http://ruj.uj.edu.pl/xmlui/handle/item/28661
dc.identifier.weblinkpl
http://www.ejournals.eu/Studia-Litteraria/2015/Issue-4/art/7182/
dc.languagepl
swe
dc.language.containerpl
pol
dc.rights*
Dozwolony użytek utworów chronionych
dc.rights.licence
Inna otwarta licencja
dc.rights.uri*
http://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf
dc.share.type
inne
dc.subject.enpl
Birgitta Trotzig
dc.subject.enpl
iconoclastic controversy
dc.subject.enpl
Byzantine theology of icon
dc.subject.enpl
intersemiotic transformation
dc.subject.enpl
intermediality
dc.subtypepl
Article
dc.titlepl
Om ikonoklasmen hos Birgitta Trotzig
dc.title.alternativepl
On Birgitta Trotzig's notion of iconoclasm
dc.title.journalpl
Studia Litteraria Universitatis Iagellonicae Cracoviensis
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

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