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An experimental study on the effect of emotion lines in comics
comics’ symbols
emanata
emotions
pictorial runes
visual communication
Both mainstream and art comics often use various flourishes surrounding characters’ heads. These so-called "pictorial runes" (also called "ema- nata") help convey the emotional states of the characters. In this paper, using (manipulated) panels from Western and Indian comic albums as well as neutral emoticons and basic shapes in different colors, we focus on the following two issues: (a) whether runes increase the awareness in comics readers about the emotional state of the character; and (b) whether a correspondence can be found between the types of runes (twirls, spirals, droplets, and spikes) and specific emotions. Our results show that runes help communicate emotion. Although no one-to-one correspondence was found between the tested runes and specific emotions, it was found that droplets and spikes indicate generic emotions, spirals indicate negative emotions, and twirls indicate confusion and dizziness.
| dc.abstract.en | Both mainstream and art comics often use various flourishes surrounding characters’ heads. These so-called "pictorial runes" (also called "ema- nata") help convey the emotional states of the characters. In this paper, using (manipulated) panels from Western and Indian comic albums as well as neutral emoticons and basic shapes in different colors, we focus on the following two issues: (a) whether runes increase the awareness in comics readers about the emotional state of the character; and (b) whether a correspondence can be found between the types of runes (twirls, spirals, droplets, and spikes) and specific emotions. Our results show that runes help communicate emotion. Although no one-to-one correspondence was found between the tested runes and specific emotions, it was found that droplets and spikes indicate generic emotions, spirals indicate negative emotions, and twirls indicate confusion and dizziness. | pl |
| dc.affiliation | Wydział Filozoficzny : Instytut Filozofii | pl |
| dc.contributor.author | Ojha, Amitash | pl |
| dc.contributor.author | Forceville, Charles | pl |
| dc.contributor.author | Indurkhya, Bipin - 227976 | pl |
| dc.date.accessioned | 2021-12-29T15:22:54Z | |
| dc.date.available | 2021-12-29T15:22:54Z | |
| dc.date.issued | 2021 | pl |
| dc.description.number | 243 | pl |
| dc.description.physical | 305-324 | pl |
| dc.description.publication | 1,1 | pl |
| dc.description.volume | 2021 | pl |
| dc.identifier.doi | 10.1515/sem-2019-0079 | pl |
| dc.identifier.eissn | 1613-3692 | pl |
| dc.identifier.issn | 0037-1998 | pl |
| dc.identifier.uri | https://ruj.uj.edu.pl/xmlui/handle/item/286162 | |
| dc.language | eng | pl |
| dc.language.container | eng | pl |
| dc.pbn.affiliation | Dziedzina nauk humanistycznych : filozofia | pl |
| dc.rights | Dodaję tylko opis bibliograficzny | * |
| dc.rights.licence | Bez licencji otwartego dostępu | |
| dc.source.integrator | false | |
| dc.subject.en | comics’ symbols | pl |
| dc.subject.en | emanata | pl |
| dc.subject.en | emotions | pl |
| dc.subject.en | pictorial runes | pl |
| dc.subject.en | visual communication | pl |
| dc.subtype | Article | pl |
| dc.title | An experimental study on the effect of emotion lines in comics | pl |
| dc.title.journal | Semiotica | pl |
| dc.type | JournalArticle | pl |
| dspace.entity.type | Publication |