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W świecie yakuzy : japońskie oblicze filmu czarnego
In the Yakuza world : the Japanese face of film noir
Yakuza
Kinji Fukasaku
Seijin Suzuki
Masashiro Shinoda
Akira Kurosawa
Japanese gangster film
Yakuza and American film noir
Yakuza Eiga
The paper presents how the poetics of film noir influenced Japanese gangster film (yakuza eiga). The author stresses similarities of themes and styles, a pessimistic view of the post-war reality, the sense of confusion and existential crisis, accompanied by the decline of the former values and the inability to accept the new order. The ubiquitous atmosphere of corruption seems to permeate the world of alienated protagonists. The works by Akira Kurosawa, Masahiro Shinoda, Seijun Suzuki and Kinji Fukasaku, analyzed by the author, clearly refer to American film noir through their narration structures, frequent flashback sequences, the use of a diagonal frame composition or chiaroscuro, as well as through a figure of the main character who is usually lonely and doomed to death.
dc.abstract.en | The paper presents how the poetics of film noir influenced Japanese gangster film (yakuza eiga). The author stresses similarities of themes and styles, a pessimistic view of the post-war reality, the sense of confusion and existential crisis, accompanied by the decline of the former values and the inability to accept the new order. The ubiquitous atmosphere of corruption seems to permeate the world of alienated protagonists. The works by Akira Kurosawa, Masahiro Shinoda, Seijun Suzuki and Kinji Fukasaku, analyzed by the author, clearly refer to American film noir through their narration structures, frequent flashback sequences, the use of a diagonal frame composition or chiaroscuro, as well as through a figure of the main character who is usually lonely and doomed to death. | pl |
dc.affiliation | Wydział Zarządzania i Komunikacji Społecznej : Instytut Sztuk Audiowizualnych | pl |
dc.contributor.author | Loska, Krzysztof - 101044 | pl |
dc.date.accessioned | 2016-05-02T06:56:19Z | |
dc.date.available | 2016-05-02T06:56:19Z | |
dc.date.issued | 2010 | pl |
dc.description.physical | 175-188 | pl |
dc.description.publication | 0,8 | pl |
dc.description.series | Acta Universitatis Wratislaviensis | |
dc.description.seriesnumber | nr 3211 | |
dc.description.volume | 31 | pl |
dc.identifier.isbn | 978-83-229-3122-6 | pl |
dc.identifier.issn | 0860-116X | pl |
dc.identifier.seriesissn | 0239-6661 | |
dc.identifier.uri | http://ruj.uj.edu.pl/xmlui/handle/item/24872 | |
dc.language | pol | pl |
dc.language.container | pol | pl |
dc.rights.licence | bez licencji | |
dc.subject.en | Yakuza | pl |
dc.subject.en | Kinji Fukasaku | pl |
dc.subject.en | Seijin Suzuki | pl |
dc.subject.en | Masashiro Shinoda | pl |
dc.subject.en | Akira Kurosawa | pl |
dc.subject.en | Japanese gangster film | pl |
dc.subject.en | Yakuza and American film noir | pl |
dc.subject.en | Yakuza Eiga | pl |
dc.subtype | Article | pl |
dc.title | W świecie yakuzy : japońskie oblicze filmu czarnego | pl |
dc.title.alternative | In the Yakuza world : the Japanese face of film noir | pl |
dc.title.journal | Studia Filmoznawcze | pl |
dc.title.volume | Film noir | pl |
dc.type | JournalArticle | pl |
dspace.entity.type | Publication |