"Ciało me, wklęte w korowód istnienia…" : o poszukiwaniu „słów do pieśni bez słów” Mieczysława Karłowicza

2013
journal article
article
dc.abstract.enThe present article looks at the music of Mieczysław Karłowicz from the perspective of Bolesław Leśmian’s philosophical poetry. The aim of the discussion, however, is not to seek parallel themes or musical transpositions but to capture certain traits of ideological attitude, which is founded on the question about the meaning of human existence. Leśmian’s poetry is characterized by profound meditation on the mystery of existence, by the search for truth about man, and by familiarization with death through discovering its diverse manifestations in art, nature, and in life. His poems show a strong presence of mystical experience, the so-called "oceanic feeling" or "pantheistic experience of unity", which was one of the leading motifs of Young Poland poetry. It was readily utilized by Kazimierz Przerwa-Tetmajer, Jan Kasprowicz, or Antoni Lange. In the symphonic music of Mieczysław Karłowicz we can recognize a similar type of sensitivity and emotional mood that perfectly harmonizes with the spiritual and artistic atmosphere of the period. His works reflect the tendency, characteristic of modernism, to cross boundaries and penetrate the mystery of being. Listening to this "song without words" is at the same time an encouragement to enter the world of values and human experiences, which is usually omitted by scholars in musicological analyses.pl
dc.affiliationWydział Historyczny : Instytut Muzykologiipl
dc.contributor.authorSuchowiejko, Renata - 132149 pl
dc.date.accession2016-02-24pl
dc.date.accessioned2016-02-24T12:52:28Z
dc.date.available2016-02-24T12:52:28Z
dc.date.issued2013pl
dc.date.openaccess12
dc.description.accesstimepo opublikowaniu
dc.description.number1pl
dc.description.physical53-67pl
dc.description.publication0,7pl
dc.description.versionostateczna wersja wydawcy
dc.description.volume11pl
dc.identifier.doi10.17951/l.2013.11.1.53pl
dc.identifier.eissn2083-3636pl
dc.identifier.issn1732-1352pl
dc.identifier.projectROD UJ / Ppl
dc.identifier.urihttp://ruj.uj.edu.pl/xmlui/handle/item/21389
dc.identifier.weblinkhttps://journals.umcs.pl/l/article/view/1111/895pl
dc.languagepolpl
dc.language.containerpolpl
dc.rightsUdzielam licencji. Uznanie autorstwa 4.0 Międzynarodowa*
dc.rights.licenceCC-BY
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/legalcode.pl*
dc.share.typeotwarte czasopismo
dc.subject.enMieczysław Karłowiczpl
dc.subject.enPolish music of the 19th centurypl
dc.subject.plMieczysław Karłowiczpl
dc.subject.plmuzyka polska XIX wiekupl
dc.subtypeArticlepl
dc.title"Ciało me, wklęte w korowód istnienia…" : o poszukiwaniu „słów do pieśni bez słów” Mieczysława Karłowiczapl
dc.title.alternative„My body, charmed and blended into the pageant of life…”: on seeking words for Mieczysław Karłowicz’s eternal song without wordspl
dc.title.journalAnnales Universitatis Mariae Curie-Skłodowska. Sectio L, Artespl
dc.typeJournalArticlepl
dspace.entity.typePublication
dc.abstract.enpl
The present article looks at the music of Mieczysław Karłowicz from the perspective of Bolesław Leśmian’s philosophical poetry. The aim of the discussion, however, is not to seek parallel themes or musical transpositions but to capture certain traits of ideological attitude, which is founded on the question about the meaning of human existence. Leśmian’s poetry is characterized by profound meditation on the mystery of existence, by the search for truth about man, and by familiarization with death through discovering its diverse manifestations in art, nature, and in life. His poems show a strong presence of mystical experience, the so-called "oceanic feeling" or "pantheistic experience of unity", which was one of the leading motifs of Young Poland poetry. It was readily utilized by Kazimierz Przerwa-Tetmajer, Jan Kasprowicz, or Antoni Lange. In the symphonic music of Mieczysław Karłowicz we can recognize a similar type of sensitivity and emotional mood that perfectly harmonizes with the spiritual and artistic atmosphere of the period. His works reflect the tendency, characteristic of modernism, to cross boundaries and penetrate the mystery of being. Listening to this "song without words" is at the same time an encouragement to enter the world of values and human experiences, which is usually omitted by scholars in musicological analyses.
dc.affiliationpl
Wydział Historyczny : Instytut Muzykologii
dc.contributor.authorpl
Suchowiejko, Renata - 132149
dc.date.accessionpl
2016-02-24
dc.date.accessioned
2016-02-24T12:52:28Z
dc.date.available
2016-02-24T12:52:28Z
dc.date.issuedpl
2013
dc.date.openaccess
12
dc.description.accesstime
po opublikowaniu
dc.description.numberpl
1
dc.description.physicalpl
53-67
dc.description.publicationpl
0,7
dc.description.version
ostateczna wersja wydawcy
dc.description.volumepl
11
dc.identifier.doipl
10.17951/l.2013.11.1.53
dc.identifier.eissnpl
2083-3636
dc.identifier.issnpl
1732-1352
dc.identifier.projectpl
ROD UJ / P
dc.identifier.uri
http://ruj.uj.edu.pl/xmlui/handle/item/21389
dc.identifier.weblinkpl
https://journals.umcs.pl/l/article/view/1111/895
dc.languagepl
pol
dc.language.containerpl
pol
dc.rights*
Udzielam licencji. Uznanie autorstwa 4.0 Międzynarodowa
dc.rights.licence
CC-BY
dc.rights.uri*
http://creativecommons.org/licenses/by/4.0/legalcode.pl
dc.share.type
otwarte czasopismo
dc.subject.enpl
Mieczysław Karłowicz
dc.subject.enpl
Polish music of the 19th century
dc.subject.plpl
Mieczysław Karłowicz
dc.subject.plpl
muzyka polska XIX wieku
dc.subtypepl
Article
dc.titlepl
"Ciało me, wklęte w korowód istnienia…" : o poszukiwaniu „słów do pieśni bez słów” Mieczysława Karłowicza
dc.title.alternativepl
„My body, charmed and blended into the pageant of life…”: on seeking words for Mieczysław Karłowicz’s eternal song without words
dc.title.journalpl
Annales Universitatis Mariae Curie-Skłodowska. Sectio L, Artes
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

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