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"Raumkunst” autorstwa Teodora Axentowicza
Journal
Lehahayer
Alternative title
Raumkunst by Teodor Axentowicz
Author
Krzysztofowicz-Kozakowska Stefania
Number
8
Pages
185-190
ISSN
2082-6184
eISSN
2449-870X
Keywords in English
Teodor Axentowicz
exhibition architecture
Society of Polish Artists “Art”
secession
St. Louis World’s Fair 1904
Imperial Austrian Exhibition 1906
XI. Esposizione d’Arte della Città di Venezia 1914
Language
Polish
Journal language
Polish
Abstract in English
Three exhibition arrangements analysed in the article – the halls of Polish artists on the exhibitions in St. Louis (1904), London (1906) and XI International Biennial of Art in Venice (1914) – allow us to consider Teodor Axentowicz as a precursor of the new form of organisation of the exhibition space within the Polish culture. This form was a pattern for the subsequent architects of exhibitions belonging to the Society of Polish Artists “Art”. Projects of Axentowicz perfectly fitted to the modern style of exhibition interior arrangement, which was promoted by the Viennese environment of “Secession” at the turn of the 20th century.
| dc.abstract.en | Three exhibition arrangements analysed in the article – the halls of Polish artists on the exhibitions in St. Louis (1904), London (1906) and XI International Biennial of Art in Venice (1914) – allow us to consider Teodor Axentowicz as a precursor of the new form of organisation of the exhibition space within the Polish culture. This form was a pattern for the subsequent architects of exhibitions belonging to the Society of Polish Artists “Art”. Projects of Axentowicz perfectly fitted to the modern style of exhibition interior arrangement, which was promoted by the Viennese environment of “Secession” at the turn of the 20th century. | pl |
| dc.contributor.author | Krzysztofowicz-Kozakowska, Stefania | pl |
| dc.date.accessioned | 2022-10-18T10:55:04Z | |
| dc.date.available | 2022-10-18T10:55:04Z | |
| dc.date.issued | 2021 | pl |
| dc.date.openaccess | 0 | |
| dc.description.accesstime | w momencie opublikowania | |
| dc.description.number | 8 | pl |
| dc.description.physical | 185-190 | pl |
| dc.description.version | ostateczna wersja wydawcy | |
| dc.identifier.doi | 10.12797/LH.08.2021.08.06 | pl |
| dc.identifier.eissn | 2449-870X | pl |
| dc.identifier.issn | 2082-6184 | pl |
| dc.identifier.uri | https://ruj.uj.edu.pl/xmlui/handle/item/301860 | |
| dc.language | pol | pl |
| dc.language.container | pol | pl |
| dc.rights | Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa | * |
| dc.rights.licence | CC-BY-NC-ND | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.pl | * |
| dc.share.type | otwarte czasopismo | |
| dc.subject.en | Teodor Axentowicz | pl |
| dc.subject.en | exhibition architecture | pl |
| dc.subject.en | Society of Polish Artists “Art” | pl |
| dc.subject.en | secession | pl |
| dc.subject.en | St. Louis World’s Fair 1904 | pl |
| dc.subject.en | Imperial Austrian Exhibition 1906 | pl |
| dc.subject.en | XI. Esposizione d’Arte della Città di Venezia 1914 | pl |
| dc.subtype | Article | pl |
| dc.title | "Raumkunst” autorstwa Teodora Axentowicza | pl |
| dc.title.alternative | Raumkunst by Teodor Axentowicz | pl |
| dc.title.journal | Lehahayer | pl |
| dc.type | JournalArticle | pl |
| dspace.entity.type | Publication |
dc.abstract.enpl
Three exhibition arrangements analysed in the article – the halls of Polish artists on the exhibitions in St. Louis (1904), London (1906) and XI International Biennial of Art in Venice (1914) – allow us to consider Teodor Axentowicz as a precursor of the new form of organisation of the exhibition space within the Polish culture. This form was a pattern for the subsequent architects of exhibitions belonging to the Society of Polish Artists “Art”. Projects of Axentowicz perfectly fitted to the modern style of exhibition interior arrangement, which was promoted by the Viennese environment of “Secession” at the turn of the 20th century. dc.contributor.authorpl
Krzysztofowicz-Kozakowska, Stefania dc.date.accessioned
2022-10-18T10:55:04Z dc.date.available
2022-10-18T10:55:04Z dc.date.issuedpl
2021 dc.date.openaccess
0 dc.description.accesstime
w momencie opublikowania dc.description.numberpl
8 dc.description.physicalpl
185-190 dc.description.version
ostateczna wersja wydawcy dc.identifier.doipl
10.12797/LH.08.2021.08.06 dc.identifier.eissnpl
2449-870X dc.identifier.issnpl
2082-6184 dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/301860 dc.languagepl
pol dc.language.containerpl
pol dc.rights*
Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa dc.rights.licence
CC-BY-NC-ND dc.rights.uri*
http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.pl dc.share.type
otwarte czasopismo dc.subject.enpl
Teodor Axentowicz dc.subject.enpl
exhibition architecture dc.subject.enpl
Society of Polish Artists “Art” dc.subject.enpl
secession dc.subject.enpl
St. Louis World’s Fair 1904 dc.subject.enpl
Imperial Austrian Exhibition 1906 dc.subject.enpl
XI. Esposizione d’Arte della Città di Venezia 1914 dc.subtypepl
Article dc.titlepl
"Raumkunst” autorstwa Teodora Axentowicza dc.title.alternativepl
Raumkunst by Teodor Axentowicz dc.title.journalpl
Lehahayer dc.typepl
JournalArticle dspace.entity.type
Publication Affiliations
No affiliation
Krzysztofowicz-Kozakowska, Stefania
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