Moda na krwawy sport

2016
journal article
other documents
dc.abstract.enReviewing Michał Zadara's Orestes (CENTRALA, Zachęta Narodowa Galeria Sztuki, prem.:27 Aug 2016), Zuzanna Berendt analyses the way in which the director plays with the convention of ancient theatre. She shows how the creators translate the structure of the ancient text, including rhetorical monologues and witness testimony, into the present mediatisation of social and political life. The author also writes about the space in which the performance was presented - the room at the Zachęta Gallery, where president Gabriel Narutowicz was assassinated in 1922. Berendt is critical towards the inclusion of present and historical political context, here referred to only through events accompanying the performance and its advertising campaign in the media.pl
dc.affiliationWydział Polonistykipl
dc.contributor.authorBerendt, Zuzannapl
dc.date.accessioned2016-12-21T10:08:52Z
dc.date.available2016-12-21T10:08:52Z
dc.date.issued2016pl
dc.description.additionalCentrala. Eurypides, Orestes, reżyseria: Michał Zadara, dramaturgia: Daniel Przastek, scenografia: Robert Rumas, muzyka: Jacek „Budyń” Szymkiewicz, premiera: 27 sierpnia 2016 w Zachęcie - Narodowej Galerii Sztuki w Warszawiepl
dc.description.number135pl
dc.description.physical122-124pl
dc.identifier.issn1233-0477pl
dc.identifier.urihttp://ruj.uj.edu.pl/xmlui/handle/item/34370
dc.languagepolpl
dc.language.containerpolpl
dc.rights.licenceBez licencji otwartego dostępu
dc.source.integratorfalse
dc.subject.enEurypidespl
dc.subject.enMichał Zadarapl
dc.subject.plEurypidespl
dc.subject.plMichał Zadarapl
dc.subtypeOtherDocumentspl
dc.titleModa na krwawy sportpl
dc.title.alternativeThe blood sport fadpl
dc.title.journalDidaskaliapl
dc.typeJournalArticlepl
dspace.entity.typePublication
dc.abstract.enpl
Reviewing Michał Zadara's Orestes (CENTRALA, Zachęta Narodowa Galeria Sztuki, prem.:27 Aug 2016), Zuzanna Berendt analyses the way in which the director plays with the convention of ancient theatre. She shows how the creators translate the structure of the ancient text, including rhetorical monologues and witness testimony, into the present mediatisation of social and political life. The author also writes about the space in which the performance was presented - the room at the Zachęta Gallery, where president Gabriel Narutowicz was assassinated in 1922. Berendt is critical towards the inclusion of present and historical political context, here referred to only through events accompanying the performance and its advertising campaign in the media.
dc.affiliationpl
Wydział Polonistyki
dc.contributor.authorpl
Berendt, Zuzanna
dc.date.accessioned
2016-12-21T10:08:52Z
dc.date.available
2016-12-21T10:08:52Z
dc.date.issuedpl
2016
dc.description.additionalpl
Centrala. Eurypides, Orestes, reżyseria: Michał Zadara, dramaturgia: Daniel Przastek, scenografia: Robert Rumas, muzyka: Jacek „Budyń” Szymkiewicz, premiera: 27 sierpnia 2016 w Zachęcie - Narodowej Galerii Sztuki w Warszawie
dc.description.numberpl
135
dc.description.physicalpl
122-124
dc.identifier.issnpl
1233-0477
dc.identifier.uri
http://ruj.uj.edu.pl/xmlui/handle/item/34370
dc.languagepl
pol
dc.language.containerpl
pol
dc.rights.licence
Bez licencji otwartego dostępu
dc.source.integrator
false
dc.subject.enpl
Eurypides
dc.subject.enpl
Michał Zadara
dc.subject.plpl
Eurypides
dc.subject.plpl
Michał Zadara
dc.subtypepl
OtherDocuments
dc.titlepl
Moda na krwawy sport
dc.title.alternativepl
The blood sport fad
dc.title.journalpl
Didaskalia
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

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