This article aims to explore the uses of material culture and their relevance to identity formation. The premise is applied specifically to the moving auxilia, in order to observe the effects of movement and transfers on the selection and consumption of material culture within the military environment. It is common knowledge that pottery supply and use within the Roman military were to an extent governed by specific state-controlled supply routes and contracts, meaning that the same pottery styles could have been observed at different forts from different regions. Nonetheless, the cultural side of demand should not be overlooked as it may have tailored supply differently to various regions depending on the preferences in the area. Similarly, auxiliary units transferred from home may have preserved some of their familiar pottery styles and reproduce them upon arrival to the new territory. This article will explore the ways pottery was employed at locations associated with Batavian auxilia in order to capture their image construction between home and abroad. Once removed from their core territory and placed in a new environment with new norms in terms of material culture and even dressing and addressing one another, how did their consumption adapt to the area and to which extent did it keep a unique character? The main case-study explored in this paper is Războieni in order to assess the pottery consumption patterns of Batavian auxilia abroad in the 2nd and 3rd centuries AD.