Bibliogr. s. 21-23

Between 2009 and 2011, the Kurdish sculptor Hadî Ziaoddînî created a statue of poet Mestûre Erdalan (1805–1847), in the city of Sine (Sanandaj, Iranian Kurdistan or Rojhelat). A woman standing, carrying a book in her hand, the figure of Mestûre is unique in the Islamic Republic of Iran. She is not wearing the obligatory hijab but a Kurdish kofî. This paper presents the evolving representation and reception of Mestûre, the first Kurdish female poet and chronicler. The existing research on heritage in Iran focuses mainly on the policies of Pahlavi and Islamic regimes, tourism and conservation. This paper reveals the dissonant heritage-making that inspires Kurdish ethnic and national identity and the empowerment of women in Iran. The latter gained momentum, especially after the killing of the Kurdish woman, Jîna (Mahsa) Amînî, by the morality police in 2022. The multi-layered heritage performance engages identity politics, artistic creation and the new practice of visiting the statue of Mestûre. Starting from Ziaoddînî’s work as the focal point of discussion, the study identifies various links between the statue and other artistic products, as well as investigates the contemporary relationship between Mestûre and the inhabitants of Sine. The relationship is mediated by the sculpture and the moral imagination it stirs in empowering Kurdish women.