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‘Close but far, human but square, normal but exhausting’ : pandemic theatre in Poland
teatr (post) pandemiczny
COVID-19
sztuka porażki
krytyka instytucjonalna
(post-)pandemic theatre
COVID-19
art of failure
institutional critique
The purpose of this article is to explore different ways of countering the COVID-19 pandemic in Polish theatre that were not only attempts to provide protection against the potentially lethal coronavirus, but also attempts to actively combat other ‘viruses’: the capitalist compulsion for productivity and the exclusion of Others (the disabled, the elderly, women or LGBT+ people). Several Polish artists of the lockdown era (participants in the Quarantine Project, Beyond #quarantine and DIY 2020 Masterclasses, members of Theatre 21, Joanna Szczepkowska and Wojtek Ziemilski) have managed to draw the attention of a wider audience to these problems. During the pandemic, they practised the art of resistance in various ways, including the ‘art of failure’ as a resistance against neo-liberal systems. Therefore their projects can be seen as a dress rehearsal before the emergence of a post-pandemic, post-capitalist, post-growth, more ethically conscious theatre of the future.
| cris.lastimport.wos | 2024-04-10T00:47:01Z | |
| dc.abstract.en | The purpose of this article is to explore different ways of countering the COVID-19 pandemic in Polish theatre that were not only attempts to provide protection against the potentially lethal coronavirus, but also attempts to actively combat other ‘viruses’: the capitalist compulsion for productivity and the exclusion of Others (the disabled, the elderly, women or LGBT+ people). Several Polish artists of the lockdown era (participants in the Quarantine Project, Beyond #quarantine and DIY 2020 Masterclasses, members of Theatre 21, Joanna Szczepkowska and Wojtek Ziemilski) have managed to draw the attention of a wider audience to these problems. During the pandemic, they practised the art of resistance in various ways, including the ‘art of failure’ as a resistance against neo-liberal systems. Therefore their projects can be seen as a dress rehearsal before the emergence of a post-pandemic, post-capitalist, post-growth, more ethically conscious theatre of the future. | pl |
| dc.affiliation | Wydział Polonistyki : Katedra Teatru i Dramatu | pl |
| dc.contributor.author | Burzyńska, Anna Róża - 160267 | pl |
| dc.date.accessioned | 2023-03-20T09:12:40Z | |
| dc.date.available | 2023-03-20T09:12:40Z | |
| dc.date.issued | 2023 | pl |
| dc.date.openaccess | 0 | |
| dc.description.accesstime | w momencie opublikowania | |
| dc.description.number | 1 | pl |
| dc.description.physical | 82-99 | pl |
| dc.description.publication | 1,44 | pl |
| dc.description.version | ostateczna wersja wydawcy | |
| dc.description.volume | 48 | pl |
| dc.identifier.doi | 10.1017/S0307883322000426 | pl |
| dc.identifier.eissn | 1474-0672 | pl |
| dc.identifier.issn | 0307-8833 | pl |
| dc.identifier.uri | https://ruj.uj.edu.pl/xmlui/handle/item/309264 | |
| dc.language | eng | pl |
| dc.language.container | eng | pl |
| dc.participation | Burzyńska, Anna Róża: 100%; | pl |
| dc.pbn.affiliation | Dziedzina nauk humanistycznych : nauki o sztuce | pl |
| dc.rights | Dodaję tylko opis bibliograficzny | * |
| dc.rights.licence | Inna otwarta licencja | |
| dc.share.type | otwarte czasopismo | |
| dc.source.integrator | false | |
| dc.subject.en | (post-)pandemic theatre | pl |
| dc.subject.en | COVID-19 | pl |
| dc.subject.en | art of failure | pl |
| dc.subject.en | institutional critique | pl |
| dc.subject.pl | teatr (post) pandemiczny | pl |
| dc.subject.pl | COVID-19 | pl |
| dc.subject.pl | sztuka porażki | pl |
| dc.subject.pl | krytyka instytucjonalna | pl |
| dc.subtype | Article | pl |
| dc.title | ‘Close but far, human but square, normal but exhausting’ : pandemic theatre in Poland | pl |
| dc.title.journal | Theatre Research International | pl |
| dc.title.volume | Presence and precarity in (post-)pandemic theatre and performance | pl |
| dc.type | JournalArticle | pl |
| dspace.entity.type | Publication |