Bibliogr. s. 149-150

The presented article analyses the reasons and results of adding pornographic scenes to nonpornographic films by the chosen Western directors. The authors, starting from the case of the of the dark legend of Luis Buñuel’s The Age of Gold (L’âge d ’or, 1930), summarize the history of the phenomenon and observe it using the methodologies of production studies. Furthermore, concerning on the films by Bo Arne Vibenius or Tinto Brass, the authors research on the implications of the directors’ decisions and the ways they reversed the meaning of changing the film in post-production. The examples of the films mentioned in this article come from different cinematographies, periods and genres, what underlines the unique character of the chosen cases.