"Winning is strictly prohibited" : o strategiach twórczych Banksy’ego i Jana Klaty

2022
book section
article
dc.abstract.enThe text constitutes an analysis of the work of two socially-engaged artists: Banksy and Jan Klata, who use the motif of an amusement park in their works. Banksy uses it in a literal – though subversive – way in his project Dismaland, which presents a mocking reversal of Disneyland. Klata, on the other hand, in his performances that often function as a commentary on the reality that surrounds us, uses a set of formal "attractions" reminiscent of those found at an amusement park, which put the viewer (like Eisenstein’s montage of attractions) in a state of perceptual dissonance. The author argues that the space created by engaged art, which utilizes the concept of the amusement park, allows for a true rebellion against the established order. Real amusement parks, on the other hand, create only an illusion of the possibility to break from the existing social norms.pl
dc.affiliationWydział Zarządzania i Komunikacji Społecznej : Instytut Studiów Informacyjnychpl
dc.contributor.authorLubaszewska, Michalina - 106230 pl
dc.contributor.editorSzawerna-Dyrszka, Annapl
dc.contributor.editorTramer, Maciejpl
dc.contributor.editorPfeifer, Kasperpl
dc.contributor.editorWięcek, Aleksandrapl
dc.date.accession2022-08-08pl
dc.date.accessioned2022-10-03T13:06:27Z
dc.date.available2022-10-03T13:06:27Z
dc.date.issued2022pl
dc.date.openaccess0
dc.description.accesstimew momencie opublikowania
dc.description.additionalBibliogr. s. 31. Przedruk (pierwodruk doi: 10.31261/SSP.2020.16.07)pl
dc.description.physical21-32pl
dc.description.publication0,8pl
dc.description.versionostateczna wersja wydawcy
dc.identifier.bookweblinkhttps://wydawnictwo.us.edu.pl/node/25723pl
dc.identifier.isbn978-83-226-4217-7pl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/300660
dc.identifier.weblinkhttps://wydawnictwo.us.edu.pl/sites/wydawnictwo.us.edu.pl/files/00_wus_2022_obrazy_nieobojetnosci_ebook_popr._s._33.pdfpl
dc.languagepolpl
dc.language.containerpolpl
dc.pubinfoKatowice : Wydawnictwo Uniwersytetu Śląskiegopl
dc.publisher.ministerialUniwersytet Śląski w Katowicachpl
dc.rightsUdzielam licencji. Uznanie autorstwa - Na tych samych warunkach 4.0 Międzynarodowa*
dc.rights.licenceCC-BY-SA
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/legalcode.pl*
dc.share.typeinne
dc.sourceinfoliczba autorów 10; liczba stron 196; liczba arkuszy wydawniczych 14,5;pl
dc.subject.enamusement parkpl
dc.subject.ensubversionpl
dc.subject.enludic artpl
dc.subject.enBanksypl
dc.subject.enJan Klatapl
dc.subtypeArticlepl
dc.title"Winning is strictly prohibited" : o strategiach twórczych Banksy’ego i Jana Klatypl
dc.title.alternative"Winning is strictly prohibited" : on the creative strategies of Banksy and Jan Klatapl
dc.title.containerObrazy nieobojętności : szkice o zaangażowaniu w sztucepl
dc.typeBookSectionpl
dspace.entity.typePublication
dc.abstract.enpl
The text constitutes an analysis of the work of two socially-engaged artists: Banksy and Jan Klata, who use the motif of an amusement park in their works. Banksy uses it in a literal – though subversive – way in his project Dismaland, which presents a mocking reversal of Disneyland. Klata, on the other hand, in his performances that often function as a commentary on the reality that surrounds us, uses a set of formal "attractions" reminiscent of those found at an amusement park, which put the viewer (like Eisenstein’s montage of attractions) in a state of perceptual dissonance. The author argues that the space created by engaged art, which utilizes the concept of the amusement park, allows for a true rebellion against the established order. Real amusement parks, on the other hand, create only an illusion of the possibility to break from the existing social norms.
dc.affiliationpl
Wydział Zarządzania i Komunikacji Społecznej : Instytut Studiów Informacyjnych
dc.contributor.authorpl
Lubaszewska, Michalina - 106230
dc.contributor.editorpl
Szawerna-Dyrszka, Anna
dc.contributor.editorpl
Tramer, Maciej
dc.contributor.editorpl
Pfeifer, Kasper
dc.contributor.editorpl
Więcek, Aleksandra
dc.date.accessionpl
2022-08-08
dc.date.accessioned
2022-10-03T13:06:27Z
dc.date.available
2022-10-03T13:06:27Z
dc.date.issuedpl
2022
dc.date.openaccess
0
dc.description.accesstime
w momencie opublikowania
dc.description.additionalpl
Bibliogr. s. 31. Przedruk (pierwodruk doi: 10.31261/SSP.2020.16.07)
dc.description.physicalpl
21-32
dc.description.publicationpl
0,8
dc.description.version
ostateczna wersja wydawcy
dc.identifier.bookweblinkpl
https://wydawnictwo.us.edu.pl/node/25723
dc.identifier.isbnpl
978-83-226-4217-7
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/300660
dc.identifier.weblinkpl
https://wydawnictwo.us.edu.pl/sites/wydawnictwo.us.edu.pl/files/00_wus_2022_obrazy_nieobojetnosci_ebook_popr._s._33.pdf
dc.languagepl
pol
dc.language.containerpl
pol
dc.pubinfopl
Katowice : Wydawnictwo Uniwersytetu Śląskiego
dc.publisher.ministerialpl
Uniwersytet Śląski w Katowicach
dc.rights*
Udzielam licencji. Uznanie autorstwa - Na tych samych warunkach 4.0 Międzynarodowa
dc.rights.licence
CC-BY-SA
dc.rights.uri*
http://creativecommons.org/licenses/by-sa/4.0/legalcode.pl
dc.share.type
inne
dc.sourceinfopl
liczba autorów 10; liczba stron 196; liczba arkuszy wydawniczych 14,5;
dc.subject.enpl
amusement park
dc.subject.enpl
subversion
dc.subject.enpl
ludic art
dc.subject.enpl
Banksy
dc.subject.enpl
Jan Klata
dc.subtypepl
Article
dc.titlepl
"Winning is strictly prohibited" : o strategiach twórczych Banksy’ego i Jana Klaty
dc.title.alternativepl
"Winning is strictly prohibited" : on the creative strategies of Banksy and Jan Klata
dc.title.containerpl
Obrazy nieobojętności : szkice o zaangażowaniu w sztuce
dc.typepl
BookSection
dspace.entity.type
Publication
Affiliations

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