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Epifanie botaniczne Czesława Miłosza

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Epifanie botaniczne Czesława Miłosza

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dc.contributor.author Zajas, Krzysztof [SAP11115529] pl
dc.date.accessioned 2019-10-29T12:23:37Z
dc.date.available 2019-10-29T12:23:37Z
dc.date.issued 2007 pl
dc.identifier.issn 1897-1962 pl
dc.identifier.uri https://ruj.uj.edu.pl/xmlui/handle/item/86025
dc.language pol pl
dc.rights Dozwolony użytek utworów chronionych *
dc.rights.uri http://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf *
dc.title Epifanie botaniczne Czesława Miłosza pl
dc.title.alternative The Czesław Miłosz’s botanical epiphanies pl
dc.type JournalArticle pl
dc.description.physical 110-118 pl
dc.identifier.weblink http://www.ejournals.eu/sj/index.php/Wieloglos/article/view/110-118/168 pl
dc.abstract.en Epiphany belongs to the most common themes of literary criticism concerning Czesław Miłosz’s poetic work. The interpreters accentuate that: 1. the importace of the epiphanical experience lies in the momentary character of it (Marian Stala); 2. the poetry brings us in the epiphany to the religious sublimation (Jan Błoński); 3. the epiphany is a trope of reality, a mark of presence (Ryszard Nycz). In the opinion of Miłosz, epiphany is the way to fi nd God between the things around us. The connection of epiphany and botanic is based on the memories of the poet, who many times has spoken about his fascination for the plants world. Memory - ilumination - epiphany is the typical triad for Miłosz’s poetry. The poetic imagination in epiphanic poems is founded upon clear visualization of details, which offers Miłosz not only a sentimental comeback, but also the sense of the artistic fulfi lment. pl
dc.description.volume 1 pl
dc.description.number 1 pl
dc.identifier.eissn 2084-395X pl
dc.title.journal Wielogłos pl
dc.language.container pol pl
dc.date.accession 2019-10-29 pl
dc.affiliation Wydział Polonistyki pl
dc.subtype Article pl
dc.rights.original OTHER; otwarte czasopismo; ostateczna wersja wydawcy; po opublikowaniu; 0 pl
dc.identifier.project ROD UJ / OP pl


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