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"Tworki" Marka Bieńczyka jako powieść gatunkowa

"Tworki" Marka Bieńczyka jako powieść gatunkowa

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dc.contributor.author Marecki, Piotr [SAP11019423] pl
dc.date.accessioned 2014-09-04T08:01:10Z
dc.date.available 2014-09-04T08:01:10Z
dc.date.issued 2012 pl
dc.identifier.issn 1644-6763 pl
dc.identifier.uri http://ruj.uj.edu.pl/xmlui/handle/item/803
dc.language pol pl
dc.title "Tworki" Marka Bieńczyka jako powieść gatunkowa pl
dc.title.alternative "Tworki" of Marek Bieńczyk as a genre story pl
dc.type JournalArticle pl
dc.description.physical 101-135 pl
dc.identifier.weblink http://pressto.amu.edu.pl/index.php/pt/article/view/3396/3407 pl
dc.abstract.en The article’s author analyses Marek Bieńczyk’s novel Tworki (1999), using tools from genre theory and challenging the prevailing view of Bieńczyk as a postmodernist, the pantextualism of his literature, and his dherence to "non-epic prose". Bieńczyk’s novel is contextualized as a drawn-out story (gawęda), mystery story, bildundsroman. It is shown how Bieńczyk uses established genres to assemble the elements of a narrative universe (the narrator, protagonist, intrigue), and the way he handles the epic aspects of his literature. Particular emphasis is placed on an analysis of the vaudeville-cabaret layers of the novel, everything borrowed from popular culture and used to re-narrate the trauma of the Holocaust. In this respect, Bieńczyk’s novel is considered to be one of the bravest works in Polish post-1989 literature. pl
dc.description.volume 18 pl
dc.identifier.doi 10.14746/pt.2012.18.7 pl
dc.identifier.eissn 2450-5765 pl
dc.title.journal Przestrzenie Teorii pl
dc.language.container pol pl
dc.date.accession 2016-05-19 pl
dc.affiliation Wydział Zarządzania i Komunikacji Społecznej : Instytut Kultury pl
dc.subtype Article pl
dc.rights.original CC-BY-ND; otwarte czasopismo; ostateczna wersja wydawcy; w momencie opublikowania; 0 pl
.pointsMNiSW [2012 C]: 10


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