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Land art i geograficzne haiku, czyli sztuka wiązania
transliterature
land art
transversality
multimodality
non-representationalist theory
The author analyses the practices of land art as the examples of transversality and multimodality that reach beyond the logics of representationalism, especially when the artwork is considered as the networked object including documentation, context of its production and the various instances of the auctorial paratexts. Such an investigation raises important questions pertaining to the very act of categorization what constitutes an artwork, but also to the experience of bodily movement through the space, with its nonlinearity, fragmentation and specific instances of embodiment. The main point of interest here are walk-based projects by Hamish Fulton (especially what has been dubbed as geographical haikus) and Richard Long, as well as the exhibition design and various forms of documentation accompanying the artwork.
cris.lastimport.scopus | 2024-04-25T01:26:19Z | |
dc.abstract.en | The author analyses the practices of land art as the examples of transversality and multimodality that reach beyond the logics of representationalism, especially when the artwork is considered as the networked object including documentation, context of its production and the various instances of the auctorial paratexts. Such an investigation raises important questions pertaining to the very act of categorization what constitutes an artwork, but also to the experience of bodily movement through the space, with its nonlinearity, fragmentation and specific instances of embodiment. The main point of interest here are walk-based projects by Hamish Fulton (especially what has been dubbed as geographical haikus) and Richard Long, as well as the exhibition design and various forms of documentation accompanying the artwork. | pl |
dc.affiliation | Wydział Zarządzania i Komunikacji Społecznej : Instytut Sztuk Audiowizualnych | pl |
dc.contributor.author | Nacher, Anna - 130854 | pl |
dc.date.accessioned | 2015-05-13T08:46:41Z | |
dc.date.available | 2015-05-13T08:46:41Z | |
dc.date.issued | 2014 | pl |
dc.date.openaccess | 0 | |
dc.description.accesstime | po opublikowaniu | |
dc.description.number | 1 (19) | pl |
dc.description.physical | 21-32 | pl |
dc.description.publication | 0,6 | pl |
dc.description.version | ostateczna wersja wydawcy | |
dc.identifier.doi | 10.4467/20843860PK.13.003.2852 | pl |
dc.identifier.eissn | 2084-3860 | pl |
dc.identifier.issn | 1895-975X | pl |
dc.identifier.project | ROD UJ / P | pl |
dc.identifier.uri | http://ruj.uj.edu.pl/xmlui/handle/item/6941 | |
dc.language | pol | pl |
dc.language.container | pol | pl |
dc.rights | Dozwolony użytek utworów chronionych | * |
dc.rights.licence | OTHER | |
dc.rights.uri | http://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf | * |
dc.share.type | otwarte czasopismo | |
dc.subject.en | transliterature | pl |
dc.subject.en | land art | pl |
dc.subject.en | transversality | pl |
dc.subject.en | multimodality | pl |
dc.subject.en | non-representationalist theory | pl |
dc.subtype | Article | pl |
dc.title | Land art i geograficzne haiku, czyli sztuka wiązania | pl |
dc.title.alternative | Land art and geographical haiku, or the art of associations | pl |
dc.title.journal | Przegląd Kulturoznawczy | pl |
dc.type | JournalArticle | pl |
dspace.entity.type | Publication |