Jagiellonian University Repository

La "création ivre" de Pieter de Delft : légende d'un "plateelschilder"

La "création ivre" de Pieter de Delft : légende d'un ...

Show full item record

dc.contributor.author Kocik, Agnieszka [USOS105828] pl
dc.date.accessioned 2018-12-11T12:43:47Z
dc.date.available 2018-12-11T12:43:47Z
dc.date.issued 2016 pl
dc.identifier.issn 1732-8705 pl
dc.identifier.uri https://ruj.uj.edu.pl/xmlui/handle/item/63346
dc.language fre pl
dc.rights Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Na tych samych warunkach 4.0 Międzynarodowa *
dc.rights.uri http://creativecommons.org/licenses/by-nc-sa/3.0/pl/legalcode *
dc.title La "création ivre" de Pieter de Delft : légende d'un "plateelschilder" pl
dc.title.alternative The "drunken creation" of Pieter de Delft : legend of an "plateelschilder" pl
dc.type JournalArticle pl
dc.description.physical 33-39 pl
dc.description.additional Bibliogr. s. 39 pl
dc.identifier.weblink http://www.ejournals.eu/Romanica-Cracoviensia/2016/Tom-16-Numer-1/art/8139/ pl
dc.abstract.en In the XIXth century, a legendary aura surrounded the mastership of Dutch artisans. In 1878 Henry Havard published his history of Delft faience, Histoire de la faïence de Delft, considered to be first rigorous elaboration on this matter. Havard carefully studies an ambiguous beginning of the ceramic industry in city of Delft. He attributes the establishing initiative to Herman Pietersz, who was a local plateelbacker, that is an earthenware manufacturer. Almost twenty years later Eugène Demolder published his Quatuor (1897), a set of four fictional tales. In one of them, titled La Fortune de Pieter de Delft, Demolder makes a fictional hero – Pieter de Delft – the founding father of Delft pottery. The hero is plateelschilder, a painter of pottery, who one Sunday, inspired by snow, "in the bliss of mind and aroma of savoury victuals," full of Schiedam’s jenever creates the fancy artwork. After introduction, the paper suggests reviewing the tale La Fortune de Pieter de Delft using the alchemical key in order to describe the type of perception that the hero is equipped with: “imaginal vision” (regard imaginal, Paolo Mottana). pl
dc.subject.en Eugène Demolder pl
dc.subject.en Delft faience pl
dc.subject.en Schiedam’s jenever pl
dc.subject.en "imaginal vision" pl
dc.subject.en painter-alchemist pl
dc.description.volume 16 pl
dc.description.number 1 pl
dc.description.publication 0,48 pl
dc.identifier.doi 10.4467/20843917RC.16.003.5696 pl
dc.identifier.eissn 2084-3917 pl
dc.title.journal Romanica Cracoviensia pl
dc.language.container fre pl
dc.date.accession 2018-11-15 pl
dc.affiliation Wydział Filologiczny : Instytut Filologii Romańskiej pl
dc.subtype Article pl
dc.rights.original OTHER; otwarte czasopismo; ostateczna wersja wydawcy; w momencie opublikowania; 0 pl
dc.identifier.project ROD UJ / OP pl
.pointsMNiSW [2016 B]: 10


Files in this item

This item appears in the following Collection(s)

Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Na tych samych warunkach 4.0 Międzynarodowa Except where otherwise noted, this item's license is described as Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Na tych samych warunkach 4.0 Międzynarodowa