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The techno-ecological practice as the politics of ontological coalitions

The techno-ecological practice as the politics of ...

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dc.contributor.author Nacher, Anna [SAP11019183] pl
dc.date.accessioned 2018-11-26T14:55:24Z
dc.date.available 2018-11-26T14:55:24Z
dc.date.issued 2018 pl
dc.identifier.uri https://ruj.uj.edu.pl/xmlui/handle/item/61634
dc.language eng pl
dc.rights Dodaję tylko opis bibliograficzny *
dc.rights.uri *
dc.title The techno-ecological practice as the politics of ontological coalitions pl
dc.type JournalArticle pl
dc.description.physical 1-8 pl
dc.abstract.en The paper focuses on the art projects aimed at visualizing (grasping) the physical or biological phenomena through interfaces and / or installations designed specifically for such purpose. Such works often mirror the post-­digital condition of our time where the digital technologies constitute the common background for everyday activities, no longer having the allure of "new" and "exciting" (Berry, Dieter et al., 2015). In this process, both the networked technologies of wireless communication and the act of crossing the boundaries between the digital and the physical play the crucial role as the post-­digital networked imagery increasingly becomes directly connected to the physical environment. I would like to ponder on the questions of processuality and relationality involved in such instances where the complexity of the hybrid works of art clearly transgresses the paradigm of representationalism (Thrift, 2008;; Anderson and Harrison, 2010;; Kember and Zylinska, 2012). The particular attention is given to the fact that such artworks bond different ontological realms (discursive, physical, digital) and different agents (human and non-­human, carbon-­based and software-­based) forging “ontological coalitions” (Malafouris, 2013). Throughout the article the mutlirealist and relational perspective is offered, inspired by the propositions of Gilbert Simondon and Etienne Souriau. Based on the research project supported by National Science Centre Poland ("The aesthetics of post-­digital imagery: between new materialism and object-­oriented philosophy", 2016/21/B/HS2/00746). pl
dc.subject.en post-digital imagining pl
dc.subject.en non-representationalism pl
dc.subject.en techno-ecological practice pl
dc.subject.en relationality pl
dc.description.publication 0,5 pl
dc.description.conftype international pl
dc.identifier.doi 10.14236/ewic/EVAC18.17 pl
dc.identifier.eissn 1477-9358 pl
dc.title.journal Electronic Workshops in Computing pl
dc.title.volume Proceedings of EVA Copenhagen 2018 pl
dc.language.container eng pl
dc.affiliation Wydział Zarządzania i Komunikacji Społecznej : Instytut Sztuk Audiowizualnych pl
dc.subtype ConferenceProceedings pl
dc.conference EVA Copenhagen 2018 - Politics of the Machine - Art and After; 2018-05-15; 2018-05-17; Kopenhaga; Dania; ; ; ; pl
dc.rights.original OTHER; inne; ostateczna wersja wydawcy; w momencie opublikowania; 0 pl
dc.identifier.project 2016/21/B/HS2/00746 pl
dc.identifier.project ROD UJ / O pl

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