"Méwilo" i "Freedom" Muriel Tramis jako pierwsze gry postkolonialne

"Méwilo" i "Freedom" Muriel Tramis jako pierwsze gry postkolonialne

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"Méwilo" i "Freedom" Muriel Tramis jako pierwsze gry postkolonialne

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dc.contributor.author	Jankowski, Filip [USOS178213]	pl
dc.contributor.editor	Olkusz, Ksenia	pl
dc.contributor.editor	Maj, Krzysztof [USOS94982]	pl
dc.date.accessioned	2018-11-05T13:47:01Z
dc.date.available	2018-11-05T13:47:01Z
dc.date.issued	2018	pl
dc.identifier.isbn	978-83-948889-0-9	pl
dc.identifier.uri	https://ruj.uj.edu.pl/xmlui/handle/item/59374
dc.language	pol	pl
dc.rights	Udzielam licencji. Uznanie autorstwa 4.0 Międzynarodowa	*
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/pl/legalcode	*
dc.title	"Méwilo" i "Freedom" Muriel Tramis jako pierwsze gry postkolonialne	pl
dc.title.alternative	Muriel Tramis' "Méwilo" and "Freedom" as the first postcolonial games	pl
dc.type	BookSection	pl
dc.pubinfo	Kraków : Ośrodek Badawczy Facta Ficta	pl
dc.description.physical	473-485	pl
dc.identifier.weblink	https://factaficta.files.wordpress.com/2018/08/ksenologie.pdf	pl
dc.abstract.en	In the chapter entitled "Muriel Tramis' »Méwilo« and »Freedom« as the First Postcolonial Games", Filip Jankowski examines two digital games accomplished by Muriel Tramis, a game designer from Martinique. The games picture the situation of African-Caribbean slaves and their descendants in a pioneering manner in terms of the medium used. “Méwilo” (1987) and “Fredom” (1988) were created under the influence of the philosophical thought in Martinique, shaped by the pioneers of postcolonialism such as Aimé Césaire and Frantz Fanon, as well as their critics impersonated by Édouard Glissant and Patrick Chamoiseau. Both games differ in terms of applied convention. “Méwilo”, which is a thorough documentary game, focuses on questioning the following inhabitants of the city of Saint-Pierre, the day before the devastating eruption of the Montagne Pelée volcano in 1902. The opposition between the black inhabitants of Martinique and their metropolitan torturers, although strongly outlined, is subject to problematization in both games. Among the main characters of the Tramis' works are black anti-heroes who imitate the French in their ambivalent attitude to the African-Caribbean community. Hence, they reflect the phenomenon of mimicry described by Homi Bhabha. All things considered, Jankowski argues both games to feature apparent postcolonial themes.	pl
dc.subject.en	postcolonialism	pl
dc.subject.en	slavery	pl
dc.subject.en	Muriel Tramis	pl
dc.subject.en	Patrick Chamoiseau	pl
dc.subject.en	digital games	pl
dc.subject.en	video games	pl
dc.subject.en	Martinique	pl
dc.subject.en	French Antilles	pl
dc.description.series	Perspektywy Ponowoczesności; 6	pl
dc.description.points	8	pl
dc.description.publication	0,59	pl
dc.title.container	Ksenologie	pl
dc.language.container	pol	pl
dc.date.accession	2018-10-31	pl
dc.affiliation	Wydział Zarządzania i Komunikacji Społecznej	pl
dc.subtype	Article	pl
dc.rights.original	CC-BY; inne; ostateczna wersja wydawcy; w momencie opublikowania; 0	pl
dc.identifier.project	ROD UJ / OP	pl
dc.sourceinfo	liczba autorów 26; liczba stron 496; liczba arkuszy wydawniczych 31;	pl