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Bizantyńskie freski w sandomierskiej katedrze : królewski dar na chwałę Bożą czy odblask idei unii horodelskiej?


Bizantyńskie freski w sandomierskiej katedrze : królewski dar na chwałę Bożą czy odblask idei unii horodelskiej?

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dc.contributor.author Smorąg-Różycka, Małgorzata [SAP11015084] pl
dc.date.accessioned 2015-04-25T08:26:22Z
dc.date.available 2015-04-25T08:26:22Z
dc.date.issued 2014 pl
dc.identifier.isbn 978-83-233-3841-3 pl
dc.identifier.issn 0083-4351 pl
dc.identifier.uri http://ruj.uj.edu.pl/xmlui/handle/item/5719
dc.language pol pl
dc.rights Dozwolony użytek utworów chronionych *
dc.rights.uri http://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf *
dc.title Bizantyńskie freski w sandomierskiej katedrze : królewski dar na chwałę Bożą czy odblask idei unii horodelskiej? pl
dc.title.alternative Byzantine frescoes in the Sandomierz cathedral : a royal gift for the greater glory of God or a reflection of the idea of the union of Horodło? pl
dc.type JournalArticle pl
dc.pubinfo Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego pl
dc.description.physical 235-255 pl
dc.abstract.en The subject of our deliberations is the ideological significance of the Byzantine frescoes founded by Ladislaus Jagiello and preserved until the present day in the Sandomierz cathedral. The origin of the polychrome should be traced to the period of the king’s marriage to Anna of Cilli, whose coat-of-arms is to be found in the row of coats-of-arms discovered during the conservation work conducted in the cathedral in the years 2008-2011. The very fact that Anna’s coat-of-arms had been placed within the row of coats-of-arms of the Kingdom of Poland, should be viewed in a wider perspective as a pictorial testimony of the royal legacy after king Casimir the Great and the continuity of the Piast monarchy under Jagiello’s rule. Thanks to an analysis of the content of the scenes as well as their arrangement, the authoress distinguishes two main axes of interpretation of the content of the paintings - the historical-eschatological image of theophany and the royal foundation. The polychromes gave testimony to the existence of two Christian cultures united within a single state organism, whereas the placing of the paintings and foundation plaques in within the space of the presbytery, proves that they fulfilled an important role as propaganda tools during the visits of the most illustrious guests of the kingdom. pl
dc.subject.pl bizantyńsko-ruskie malowidła pl
dc.subject.pl katedra w Sandomierzu pl
dc.subject.pl Anna Cylejska pl
dc.subject.pl Władysław Jagiełło pl
dc.subject.pl unia kościelna pl
dc.subject.en Byzantine-Russian paintings pl
dc.subject.en cathedral in Sandomierz pl
dc.subject.en Anna of Cilli pl
dc.subject.en Ladislaus Jagiello pl
dc.subject.en church union pl
dc.description.series Zeszyty Naukowe Uniwersytetu Jagiellońskiego, ISSN 0860-0139 pl
dc.description.volume 141 pl
dc.description.number 2 pl
dc.description.publication 1,5 pl
dc.identifier.doi 10.4467/20844069PH.14.012.2740 pl
dc.identifier.eissn 2084-4069 pl
dc.title.journal Zeszyty Naukowe Uniwersytetu Jagiellońskiego. Prace Historyczne pl
dc.title.volume Unia horodelska 1413 pl
dc.language.container pol pl
dc.affiliation Wydział Historyczny : Instytut Historii Sztuki pl
dc.subtype Article pl
dc.rights.original OTHER​; otwarte czasopismo; ostateczna wersja wydawcy; po opublikowaniu; 0 pl
dc.identifier.project ROD UJ / P pl
.pointsMNiSW [2014 B]: 6

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