Bizantyńskie freski w sandomierskiej katedrze : królewski dar na chwałę Bożą czy odblask idei unii horodelskiej?

doi:10.4467/20844069PH.14.012.2740

Bizantyńskie freski w sandomierskiej katedrze : królewski dar na chwałę Bożą czy odblask idei unii horodelskiej?

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Bizantyńskie freski w sandomierskiej katedrze : królewski dar na chwałę Bożą czy odblask idei unii horodelskiej?

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Bibliographic description

punktacja MEiN [2014 B]: 6

title:	Bizantyńskie freski w sandomierskiej katedrze : królewski dar na chwałę Bożą czy odblask idei unii horodelskiej?
alternative title:	Byzantine frescoes in the Sandomierz cathedral : a royal gift for the greater glory of God or a reflection of the idea of the union of Horodło?
author:	Smorąg-Różycka Małgorzata
journal title:	Zeszyty Naukowe Uniwersytetu Jagiellońskiego. Prace Historyczne
title of volume:	Unia horodelska 1413
volume:	141
issue:	2
date of publication :	2014
place of publication : name of publisher:	Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego
pages:	235-255
ISSN:	0083-4351
eISSN:	2084-4069
ISBN:	978-83-233-3841-3
series:	Zeszyty Naukowe Uniwersytetu Jagiellońskiego, ISSN 0860-0139
DOI:	10.4467/20844069PH.14.012.2740
language:	Polish
journal language:	Polish
abstract in English:	The subject of our deliberations is the ideological significance of the Byzantine frescoes founded by Ladislaus Jagiello and preserved until the present day in the Sandomierz cathedral. The origin of the polychrome should be traced to the period of the king’s marriage to Anna of Cilli, whose coat-of-arms is to be found in the row of coats-of-arms discovered during the conservation work conducted in the cathedral in the years 2008-2011. The very fact that Anna’s coat-of-arms had been placed within the row of coats-of-arms of the Kingdom of Poland, should be viewed in a wider perspective as a pictorial testimony of the royal legacy after king Casimir the Great and the continuity of the Piast monarchy under Jagiello’s rule. Thanks to an analysis of the content of the scenes as well as their arrangement, the authoress distinguishes two main axes of interpretation of the content of the paintings - the historical-eschatological image of theophany and the royal foundation. The polychromes gave testimony to the existence of two Christian cultures united within a single state organism, whereas the placing of the paintings and foundation plaques in within the space of the presbytery, proves that they fulfilled an important role as propaganda tools during the visits of the most illustrious guests of the kingdom.
keywords in Polish:	bizantyńsko-ruskie malowidła, katedra w Sandomierzu, Anna Cylejska, Władysław Jagiełło, unia kościelna
keywords in English:	Byzantine-Russian paintings, cathedral in Sandomierz, Anna of Cilli, Ladislaus Jagiello, church union
number of pulisher's sheets:	1,5
affiliation:	Wydział Historyczny : Instytut Historii Sztuki
type:	journal article
subtype:	academic paper