The article is devoted to the phenomenon of improvisation which is a characteristic aesthetic feature of the Romantic culture. Many nineteenth century artists regarded it as an embodiment of the issues that were of key importance for their period - among them, one finds the concept of genius or correspondence between the arts. On a few examples taken from the works of Chopin, Mickiewicz and Orłowski, the author reveals both the ways and the conditionings of the reception of the improvisory works, as well as the relations between the Romantic myth of improvisation and its artistic practice.
keywords in Polish:
improwizacja, kultura romantyzmu, korespondencja sztuk
keywords in English:
improvisation, romantic culture, correspondence between the arts
number of pulisher's sheets:
1,03
affiliation:
Wydział Polonistyki : Katedra Komparatystyki Literackiej