"Opowieści, których nie trzeba przekładać?" : "Behind the beautiful forevers" Katherine Boo (2012) i Davida Hare’a (2014)

doi:10.4467/16891864PC.16.029.7352

"Opowieści, których nie trzeba przekładać?" : "Behind the beautiful forevers" Katherine Boo (2012) i Davida Hare’a (2014)

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"Opowieści, których nie trzeba przekładać?" : "Behind the beautiful forevers" Katherine Boo (2012) i Davida Hare’a (2014)

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dc.contributor.author	Kamińska, Aleksandra [USOS80434]	pl
dc.date.accessioned	2018-08-31T08:01:24Z
dc.date.available	2018-08-31T08:01:24Z
dc.date.issued	2016	pl
dc.identifier.issn	1425-6851	pl
dc.identifier.uri	https://ruj.uj.edu.pl/xmlui/handle/item/56557
dc.language	pol	pl
dc.rights	Dozwolony użytek utworów chronionych	*
dc.rights.uri	http://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf	*
dc.title	"Opowieści, których nie trzeba przekładać?" : "Behind the beautiful forevers" Katherine Boo (2012) i Davida Hare’a (2014)	pl
dc.title.alternative	"Narratives with no need for translation?" : "Behind the beautiful forevers" by Katherine Boo (2012) and David Hare (2014)	pl
dc.type	JournalArticle	pl
dc.description.physical	176-195	pl
dc.abstract.en	Katherine Boo’s award-winning non-fiction book (2012) and David Hare’s play "Behind the Beautiful Forevers" (2014) are set in a Mumbai slum called Annawadi. They tell a story of one family’s struggle with the Indian judiciary system, describing the life in a Mumbai slum in the process. The article purports to analyse the translation element of Boo’s narrative, as well as the book’s translation (Polish translation by Adrianna Sokołowska-Ostapko) and adaptation (Hare’s play). The first part of the article is focused on various shifts occurring in those secondary texts. Special attention is paid to ideological consequences and motivations of various decisions, which, consequently, leads to the question about the oppressive potential of translation (inspired by theories of Edward Said and Gayatri Spivak). The second part of the article deals with the fact that although translation remains an essential and obvious component of "Behind the Beautiful Forevers" for all three authors (Boo, Hare, and Sokołowska-Ostapko), this issue has been largely neglected (or misrepresented) by readers and critics. This, in turn, leads to the question (based on Itamar Even-Zohar’s polysystem theory) to what extent the case of "Behind Beautiful Forevers" can be interpreted as a product of various forces conditioning the scope and future of postcolonial translation.	pl
dc.subject.en	"Behind the Beautiful Forevers"	pl
dc.subject.en	David Hare	pl
dc.subject.en	Katherine Boo	pl
dc.subject.en	adaptation	pl
dc.subject.en	translation criticism	pl
dc.description.number	33	pl
dc.description.publication	0,5	pl
dc.identifier.doi	10.4467/16891864PC.16.029.7352	pl
dc.identifier.eissn	1689-1864	pl
dc.title.journal	Przekładaniec	pl
dc.language.container	pol	pl
dc.affiliation	Wydział Filologiczny	pl
dc.subtype	Article	pl
dc.rights.original	OTHER; inne; ostateczna wersja wydawcy; po opublikowaniu; 12	pl
dc.identifier.project	ROD UJ / OP	pl
.pointsMNiSW	[2016 B]: 14