Jagiellonian University Repository

Między retoryką Erosa a erotyką Tanatosa : czego pragnie bohater "Na wzgórzu róż" Stefana Grabińskiego?

Między retoryką Erosa a erotyką Tanatosa : czego ...

Show full item record

dc.contributor.author Trzeciak, Katarzyna [SAP14011276] pl
dc.date.accessioned 2018-07-20T09:01:37Z
dc.date.available 2018-07-20T09:01:37Z
dc.date.issued 2013 pl
dc.identifier.issn 1899-315X pl
dc.identifier.uri https://ruj.uj.edu.pl/xmlui/handle/item/55989
dc.language pol pl
dc.rights Dodaję tylko opis bibliograficzny *
dc.rights.uri *
dc.title Między retoryką Erosa a erotyką Tanatosa : czego pragnie bohater "Na wzgórzu róż" Stefana Grabińskiego? pl
dc.title.alternative Between rethorics of eros and erotics of Tanatos : what does the main character in "Na wzgórzu róż" [on the hill of roses] Really want ? pl
dc.type JournalArticle pl
dc.description.physical 167-183 pl
dc.identifier.weblink http://apcz.umk.pl/czasopisma/index.php/LC/article/view/LC.2013.009/1920 pl
dc.abstract.en The text is an attempt to analyse the story by Stefan Grabiński according to the paradigm of pleasure reading by Barthes and within the category of fantasmatic criticism. According to the author, in this story the pleasure of the reader is designed as parallel to the pleasure of the narrator (the main protagonist), and its first phase is solar ecstasy. Changes in the dynamics of pleasure are brought about by an unidentified smell - interpreted here according to the Lacanian category of Thing, and therefore impossible to integrate into the symbolic system. The answer to the unclearly predicted tanatics of smell is erotica - a fantasmatic object of desire that is interpreted here as projection, or exteriorisation, of the ideal, a being drawn from the protagonist himself. Contact with the Real, with extra-discursive mystery that drives the desire of the main character, is only possible thanks to the wound - a flaw on the face of the heroine, which is not only an epiphany of the Thing, but which also shows the core and the beginning of writing that is - according to Derrida and Markowski - a cut, a slash, a scratch. This experience - going beyond the fantasy towards the Real, confrontation with the primal cause of fantasy - is the source of the perverse pleasure of the protagonist and the reader, who come closer towards the mystery of the structure of their desire. Waking up from a dream is not interpreted here as a soothing return to reality but as the continuation of the search for the truth about own desire that began during the dream and that is diagnosed as erotica of death. pl
dc.subject.en Stefan Grabiński pl
dc.subject.en Jacques Lacan pl
dc.subject.en the Real pl
dc.subject.en fantasy pl
dc.description.number 1 (11) pl
dc.description.publication 0,9 pl
dc.identifier.doi 10.12775/LC.2013.009 pl
dc.title.journal Litteraria Copernicana pl
dc.title.volume Grabiński pl
dc.language.container pol pl
dc.date.accession 2018-07-10 pl
dc.affiliation Wydział Polonistyki : Katedra Krytyki Współczesnej pl
dc.subtype Article pl
dc.rights.original OTHER; inne; ostateczna wersja wydawcy; w momencie opublikowania; 0 pl
.pointsMNiSW [2013 B]: 4

Files in this item

Files Size Format View

There are no files associated with this item.

This item appears in the following Collection(s)