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Just what is it that makes identification-portrait hypotheses so appealing? : on why Hans Süss von Kulmbach ‘must’ have portrayed John Boner

Just what is it that makes identification-portrait ...

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dc.contributor.author Sitek, Masza [USOS62507] pl
dc.date.accessioned 2018-03-13T07:17:42Z
dc.date.available 2018-03-13T07:17:42Z
dc.date.issued 2017 pl
dc.identifier.uri https://ruj.uj.edu.pl/xmlui/handle/item/51779
dc.language eng pl
dc.rights Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Na tych samych warunkach 3.0 Polska *
dc.rights.uri http://creativecommons.org/licenses/by-nc-sa/3.0/pl/legalcode *
dc.title Just what is it that makes identification-portrait hypotheses so appealing? : on why Hans Süss von Kulmbach ‘must’ have portrayed John Boner pl
dc.type JournalArticle pl
dc.description.physical 1-20 ; 1-9 pl
dc.description.additional Na s. 1-20 tekst, na s. 1-9 ilustracje (dostępne w osobnym pliku) pl
dc.identifier.weblink https://arthistoriography.files.wordpress.com/2017/11/sitek.pdf pl
dc.identifier.weblink https://arthistoriography.files.wordpress.com/2017/10/sitek-illustrations.pdf pl
dc.abstract.en The alleged apprentice of Albrecht Dürer, Hans Süss von Kulmbach (d. 1522), ‘must’ have painted at least one crypto-portrait of the Krakow banker John Boner (d. 1523), who went down in history as ‘the Polish Jacob Fugger.’ Such a conviction has seemingly inspired art-history scholarship devoted to Kulmbach and his relations to Poland. What varies is the selection of figures in his religious pictures claimed to represent Boner. This paper aims to examine two best argued theories, which concern two panel paintings preserved in the collection of St Mary’s Basilica in Krakow: Disputation of St Catherine of Alexandria with heathen philosophers, 1514-15, and Self-burial of St John the Evangelist, 1516. The suspect images will be analysed in terms of the enduring ‘premodern’ concept of recognizability, with focus on such aspects as mimesis versus schematism, heraldry and costume. pl
dc.subject.en Hans Süss von Kulmbach pl
dc.subject.en identification portrait pl
dc.subject.en the Boner family pl
dc.subject.en St. Mary’s Basilica in Krakow pl
dc.subject.en panel painting pl
dc.subject.en 16th century pl
dc.description.number 17 pl
dc.description.publication 2,47 pl
dc.identifier.eissn 2042-4752 pl
dc.title.journal Journal of Art Historiography pl
dc.language.container eng pl
dc.date.accession 2018-03-13 pl
dc.affiliation Wydział Historyczny : Instytut Historii Sztuki pl
dc.subtype Article pl
dc.rights.original CC-BY-NC; otwarte czasopismo; ostateczna wersja wydawcy; w momencie opublikowania; 0 pl


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Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Na tych samych warunkach 3.0 Polska Except where otherwise noted, this item's license is described as Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Na tych samych warunkach 3.0 Polska