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"Szlachetny złoczyńca" i "spółczesne wypadki", czyli romantyzm i polityka w teatrze muzycznym XX wieku (wokół "Śmierci Klinghoff" era Johna Adamsa)


"Szlachetny złoczyńca" i "spółczesne wypadki", czyli romantyzm i polityka w teatrze muzycznym XX wieku (wokół "Śmierci Klinghoff" era Johna Adamsa)

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dc.contributor.author Puchalska, Iwona [SAP11018455] pl
dc.date.accessioned 2017-11-06T16:02:05Z
dc.date.available 2017-11-06T16:02:05Z
dc.date.issued 2016 pl
dc.identifier.issn 1897-1962 pl
dc.identifier.uri https://ruj.uj.edu.pl/xmlui/handle/item/45957
dc.language pol pl
dc.rights Dozwolony użytek utworów chronionych *
dc.rights.uri http://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf *
dc.title "Szlachetny złoczyńca" i "spółczesne wypadki", czyli romantyzm i polityka w teatrze muzycznym XX wieku (wokół "Śmierci Klinghoff" era Johna Adamsa) pl
dc.title.alternative The "noble knave" and "present occurrences", i.e., romanticism and politics in the musical theatre of the 20th century (around "The Death of Klinghoffer" by John Adams) pl
dc.type JournalArticle pl
dc.description.physical 23-46 pl
dc.description.additional Streszcz. po ang., bibliogr. pl
dc.identifier.weblink http://www.ejournals.eu/Wieloglos/2016/4-30-2017/art/9327/ pl
dc.abstract.en The article analyzes the specifi c character of The Death of Klinghoff er as a collective work with strong political connotations, as well as the controversies around its performances, from the perspective of the evolution of opera theatre poetics. The main reference point is the tradition of the Romantic theatre, with special emphasis on two novelties introduced within that tradition: using contemporary history as material for dramatic elaboration, and giving the voice to negative characters and presenting their arguments as equally important within the dramatic structure. Romanticism, in the name of a right to an individualized vision of the world, held the truth of art beyond the truth of facts, just like it went beyond the traditional axiology and morality in search for a true nobleness of spirit (by e.g. creating the type of a “noble knave”). This, in turn, led to seeing art as a realm of myth, which even if genetically connected to real events, had lost this relation long ago and opened a possibility to interpret them freely and out of context. The case of The Death of Klinghoff er shows that even if such assumptions have already been accepted in theory of drama, the artistic practice still regards them as problematic. pl
dc.subject.pl Śmierć Klinghoffera pl
dc.subject.pl opera pl
dc.subject.pl romantyzm pl
dc.subject.pl sztuka i polityka pl
dc.subject.en Death of Klinghoffer pl
dc.subject.en opera pl
dc.subject.en romanticism pl
dc.subject.en art and politics pl
dc.description.number 4 (30) pl
dc.description.publication 1,66 pl
dc.identifier.doi 10.4467/2084395XWI.16.027.6855 pl
dc.identifier.eissn 2084-395X pl
dc.title.journal Wielogłos pl
dc.language.container pol pl
dc.date.accession 2017-11-02 pl
dc.affiliation Wydział Polonistyki : Katedra Komparatystyki Literackiej pl
dc.subtype Article pl
dc.rights.original OTHER; otwarte czasopismo; ostateczna wersja wydawcy; po opublikowaniu; 12 pl
dc.identifier.project DEC-2013/09/D/HS2/00968 pl
dc.identifier.project ROD UJ / P pl
.pointsMNiSW [2016 B]: 12

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