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Stefan Themerson’s Opera (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops)

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Stefan Themerson’s Opera (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops)

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dc.contributor.author Hejmej, Andrzej [SAP11017510] pl
dc.date.accessioned 2017-11-06T16:01:46Z
dc.date.available 2017-11-06T16:01:46Z
dc.date.issued 2016 pl
dc.identifier.issn 1505-9057 pl
dc.identifier.uri https://ruj.uj.edu.pl/xmlui/handle/item/45956
dc.language eng pl
dc.rights Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych *
dc.rights.uri https://creativecommons.org/licenses *
dc.title Stefan Themerson’s Opera (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops) pl
dc.title.alternative Opera Stefana Themersona (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops) pl
dc.title.alternative Opera according to Stefan Themerson (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops) pl
dc.type JournalArticle pl
dc.description.physical 35-52 pl
dc.description.additional Streszcz. po ang., bibliogr. pl
dc.identifier.weblink http://repozytorium.uni.lodz.pl:8080/xmlui/bitstream/handle/11089/22144/0_3_%5b35%5d-52_Hejmej.pdf?sequence=1&isAllowed=y pl
dc.abstract.en The paper focuses on the experimental work of Stefan Themerson (St. Francis and The Wolf of Gubbio or Brother Francis’ Lamb Chops, an Opera in 2 Acts, text and music by Stefan Themerson, drawings by Franciszka Themerson, De Harmonie - Gaberbocchus Press, Amsterdam - London 1972) and the question of intermediality in general. An interpretation of the "semantic opera" (written in 1954-1960, as a continuation of Semantic Divertissements [1962] and factor T [1956]), places Themerson’s idea in the context of the aesthetics of intermediality. The author signals a terminological confusion connected with the understanding of St. Francis and The Wolf of Gubbio (semantic opera; hybrid work; intermedial work, etc.) and argues that the aesthetics of intermediality appear to be an important and inspiring context for the interpretation of Themerson’s text and life. In this case, considerations on the subject of textuality show, on the one hand, different relations between literature, painting, music and theatre (artistic intermediality), and, on the other, the phenomenon of intermediality as the aesthetics of existence. pl
dc.subject.en Stefan Themerson pl
dc.subject.en Franciszka Themerson pl
dc.subject.en St. Francis and The Wolf of Gubbio or Brother Francis’ Lamb Chops pl
dc.subject.en semantic opera pl
dc.description.volume 38 pl
dc.description.number 8 pl
dc.description.publication 1,07 pl
dc.identifier.doi 10.18778/1505-9057.38.03 pl
dc.identifier.eissn 2353-1908 pl
dc.title.journal Acta Universitatis Lodziensis. Folia Litteraria Polonica pl
dc.language.container pol pl
dc.date.accession 2017-10-29 pl
dc.affiliation Wydział Polonistyki : Katedra Teorii Literatury pl
dc.subtype Translation pl
dc.rights.original CC-BY-NC-ND; otwarte czasopismo; ostateczna wersja wydawcy; w momencie opublikowania; 0 pl
dc.identifier.project ROD UJ / P pl


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Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych Except where otherwise noted, this item's license is described as Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych