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Depictions of post-9/11 South Asian racial profiling in Indian cinema

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Depictions of post-9/11 South Asian racial profiling in Indian cinema

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dc.contributor.author Łuczyńska, Kaja [USOS110894] pl
dc.date.accessioned 2017-02-14T11:56:51Z
dc.date.available 2017-02-14T11:56:51Z
dc.date.issued 2016 pl
dc.identifier.uri http://ruj.uj.edu.pl/xmlui/handle/item/37930
dc.language eng pl
dc.rights Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Na tych samych warunkach 4.0 Międzynarodowa *
dc.rights.uri http://creativecommons.org/licenses/by-nc-sa/4.0/pl/legalcode *
dc.title Depictions of post-9/11 South Asian racial profiling in Indian cinema pl
dc.type JournalArticle pl
dc.description.physical 68-78 pl
dc.description.additional Bibliogr. s. 77-78 pl
dc.identifier.weblink http://transmissions.edu.pl/depictions-of-post-911-south-asian-racial-profiling-in-indian-cinema/ pl
dc.abstract.en Events that took place in USA on 11th September 2001 had a profound influence on the American culture, politics and society. It is very often said, that "nothing will be the same after 9/11" and in my article I would like to examine one of many 9/11 consequences, which is a shift in the image of many races and ethnicities. The attacks caused not only a great shift in homeland security, which resulted in many civil right violations, but also a return of large-scale racial profiling. The victims of such practices, apart from Arabs and people of Arabic descent, were also South Asians. In their cases "racial profiling" has become more of a "color profiling" (according to J.Angelo Corlett) which resulted in a series of hate crimes (such as the murder of Balbir Singh Sodhi) and other forms of hostility. There are many Indian films concerning the problem briefly described above, but in my article I will focus on three of them: New York (2009, Kabir Khan), My Name Is Khan (2010, Karan Johar) and The Reluctant Fundamentalist (2012, Mira Nair). All of them portray the issue of post-9/11 racial profiling of South Asians, but each focuses on a different aspect of the subject. pl
dc.subject.en 9/11 pl
dc.subject.en USA pl
dc.subject.en South Asians pl
dc.subject.en racial profiling pl
dc.subject.en Indian cinema pl
dc.subject.en Bollywood pl
dc.description.volume 1 pl
dc.description.number 2 pl
dc.description.publication 0,75 pl
dc.identifier.eissn 2451-5116 pl
dc.title.journal TransMissions pl
dc.language.container eng pl
dc.date.accession 2017-02-14 pl
dc.affiliation Wydział Zarządzania i Komunikacji Społecznej : Instytut Sztuk Audiowizualnych pl
dc.subtype Article pl
dc.rights.original OTHER; otwarte czasopismo; ostateczna wersja wydawcy; w momencie opublikowania; 0; pl
dc.identifier.project ROD UJ / P pl


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Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Na tych samych warunkach 4.0 Międzynarodowa Except where otherwise noted, this item's license is described as Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Na tych samych warunkach 4.0 Międzynarodowa