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Performans jako software


Performans jako software

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dc.contributor.author Borowski, Mateusz [SAP11018837] pl
dc.date.accessioned 2016-12-29T12:37:18Z
dc.date.available 2016-12-29T12:37:18Z
dc.date.issued 2016 pl
dc.identifier.issn 1233-0477 pl
dc.identifier.uri http://ruj.uj.edu.pl/xmlui/handle/item/34604
dc.language pol pl
dc.rights Dodaję tylko opis bibliograficzny *
dc.rights.uri *
dc.title Performans jako software pl
dc.title.alternative Performance as software pl
dc.type JournalArticle pl
dc.description.physical 78-84 pl
dc.abstract.en Citing media theorist Lev Manovich, Mateusz Borowski perceives a metaphor in computer database operating mechanisms for some aspects of contemporary performative arts. The author calls attention to the technological context of today’s art, which uses the phenomenon of remediation through hypermedia interfaces, creating the impression of an Auslanderian “liveness.” According to Borowski, performance conceived as software gives rise to forms that are hard to classify. One example he supplies is Rimini Protokoll’s Best Before, in which the viewers linked with avatars to make community management decisions. The author stresses the need to look back, to examine Classical forms of theater which have not been considered intermedia, to reappraise what we think we already know. pl
dc.subject.en performance and its metaphors pl
dc.subject.en Lev Manovich pl
dc.subject.en Rimini Protokoll pl
dc.subject.en Best Before pl
dc.subject.en computer database pl
dc.subject.en contemporary performative arts pl
dc.description.number 133-134 pl
dc.title.journal Didaskalia pl
dc.language.container pol pl
dc.affiliation Wydział Polonistyki : Katedra Performatyki pl
dc.subtype Article pl
dc.rights.original bez licencji pl
dc.identifier.project 2014/14/M/HS2/00564 pl
.pointsMNiSW [2016 B]: 14

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