Dionizos  wyzwolony : Ingmar Bergman inscenizuje "Bachantki" Daniela Börtza

doi:10.4467/20843933ST.16.014.5677

Dionizos wyzwolony : Ingmar Bergman inscenizuje "Bachantki" Daniela Börtza

Communities & Collections

pcg.skipToMenu

Dionizos wyzwolony : Ingmar Bergman inscenizuje "Bachantki" Daniela Börtza

View Usage Statistics

Show full item record

dc.contributor.author	Balbierz, Jan [SAP11014909]	pl
dc.date.accessioned	2016-12-23T15:17:55Z
dc.date.available	2016-12-23T15:17:55Z
dc.date.issued	2016	pl
dc.identifier.issn	1897-3035	pl
dc.identifier.uri	http://ruj.uj.edu.pl/xmlui/handle/item/34522
dc.language	pol	pl
dc.rights	Dozwolony użytek utworów chronionych	*
dc.rights.uri	http://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf	*
dc.title	Dionizos wyzwolony : Ingmar Bergman inscenizuje "Bachantki" Daniela Börtza	pl
dc.title.alternative	Dionysus unbound : Ingmar Bergman stages "The Bacchae" by Daniel Börtz	pl
dc.type	JournalArticle	pl
dc.description.physical	139-153	pl
dc.identifier.weblink	http://www.ejournals.eu/Studia-Litteraria/2016/Issue-3/art/8224/	pl
dc.abstract.en	The paper deals with the opera The Bacchae from 1991, a collaboration between Swedish composer Daniel Börtz and Ingmar Bergman. It was one of the three operas Bergman ever directed. The paper examines The Bacchae in a broad context of modernist reception of Greek tragedy and mythology – an especially important frame of reference is the Dionysian, post-Wagnerian opera – and against the backdrop of Bergman’s other film and theatre productions that deal with his highly ambiguous relation to religion. Bergman incorporated some major themes of European Modernism in his staging. The Bacchae can be read as a part of the "invented tradition" of the black, antilogocentric, violent, obscene antiquity, created around 1900 as an opposition to the bright Winckelmann – inspired version of the past. This dark vision of the archaic roots of human culture corresponds with other modernist topics such as the crisis of language and the attempt to create alternative, body--based modes of expression, the blurring of gender identities, the transgressive nature of art and religion and the conception of music as a representation of the "oceanic" unconscious.	pl
dc.subject.en	Ingmar Bergman	pl
dc.subject.en	opera-studies	pl
dc.subject.en	modernist reception of antiquity	pl
dc.subject.en	Greek tragedy	pl
dc.subject.en	Swedish theatre	pl
dc.description.volume	11	pl
dc.description.number	3	pl
dc.identifier.doi	10.4467/20843933ST.16.014.5677	pl
dc.identifier.eissn	2084-3933	pl
dc.title.journal	Studia Litteraria Universitatis Iagellonicae Cracoviensis	pl
dc.language.container	pol	pl
dc.date.accession	2016-12-13	pl
dc.affiliation	Wydział Filologiczny : Instytut Filologii Germańskiej	pl
dc.subtype	Article	pl
dc.rights.original	OTHER; otwarte czasopismo; ostateczna wersja wydawcy; w momencie opublikowania; 0;	pl
dc.identifier.project	ROD UJ / P	pl
.pointsMNiSW	[2016 B]: 14