Jagiellonian University Repository

Dionizos wyzwolony : Ingmar Bergman inscenizuje "Bachantki" Daniela Börtza


Dionizos wyzwolony : Ingmar Bergman inscenizuje "Bachantki" Daniela Börtza

Show full item record

dc.contributor.author Balbierz, Jan [SAP11014909] pl
dc.date.accessioned 2016-12-23T15:17:55Z
dc.date.available 2016-12-23T15:17:55Z
dc.date.issued 2016 pl
dc.identifier.issn 1897-3035 pl
dc.identifier.uri http://ruj.uj.edu.pl/xmlui/handle/item/34522
dc.language pol pl
dc.rights Dozwolony użytek utworów chronionych *
dc.rights.uri http://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf *
dc.title Dionizos wyzwolony : Ingmar Bergman inscenizuje "Bachantki" Daniela Börtza pl
dc.title.alternative Dionysus unbound : Ingmar Bergman stages "The Bacchae" by Daniel Börtz pl
dc.type JournalArticle pl
dc.description.physical 139-153 pl
dc.identifier.weblink http://www.ejournals.eu/Studia-Litteraria/2016/Issue-3/art/8224/ pl
dc.abstract.en The paper deals with the opera The Bacchae from 1991, a collaboration between Swedish composer Daniel Börtz and Ingmar Bergman. It was one of the three operas Bergman ever directed. The paper examines The Bacchae in a broad context of modernist reception of Greek tragedy and mythology – an especially important frame of reference is the Dionysian, post-Wagnerian opera – and against the backdrop of Bergman’s other film and theatre productions that deal with his highly ambiguous relation to religion. Bergman incorporated some major themes of European Modernism in his staging. The Bacchae can be read as a part of the "invented tradition" of the black, antilogocentric, violent, obscene antiquity, created around 1900 as an opposition to the bright Winckelmann – inspired version of the past. This dark vision of the archaic roots of human culture corresponds with other modernist topics such as the crisis of language and the attempt to create alternative, body-­-based modes of expression, the blurring of gender identities, the transgressive nature of art and religion and the conception of music as a representation of the "oceanic" unconscious. pl
dc.subject.en Ingmar Bergman pl
dc.subject.en opera-studies pl
dc.subject.en modernist reception of antiquity pl
dc.subject.en Greek tragedy pl
dc.subject.en Swedish theatre pl
dc.description.volume 11 pl
dc.description.number 3 pl
dc.identifier.doi 10.4467/20843933ST.16.014.5677 pl
dc.identifier.eissn 2084-3933 pl
dc.title.journal Studia Litteraria Universitatis Iagellonicae Cracoviensis pl
dc.language.container pol pl
dc.date.accession 2016-12-13 pl
dc.affiliation Wydział Filologiczny : Instytut Filologii Germańskiej pl
dc.subtype Article pl
dc.rights.original OTHER; otwarte czasopismo; ostateczna wersja wydawcy; w momencie opublikowania; 0; pl
dc.identifier.project ROD UJ / P pl
.pointsMNiSW [2016 B]: 14

Files in this item

This item appears in the following Collection(s)

Dozwolony użytek utworów chronionych Except where otherwise noted, this item's license is described as Dozwolony użytek utworów chronionych