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Moda na krwawy sport


Moda na krwawy sport

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dc.contributor.author Berendt, Zuzanna pl
dc.date.accessioned 2016-12-21T10:08:52Z
dc.date.available 2016-12-21T10:08:52Z
dc.date.issued 2016 pl
dc.identifier.issn 1233-0477 pl
dc.identifier.uri http://ruj.uj.edu.pl/xmlui/handle/item/34370
dc.language pol pl
dc.title Moda na krwawy sport pl
dc.title.alternative The blood sport fad pl
dc.type JournalArticle pl
dc.description.physical 122-124 pl
dc.description.additional Centrala. Eurypides, Orestes, reżyseria: Michał Zadara, dramaturgia: Daniel Przastek, scenografia: Robert Rumas, muzyka: Jacek „Budyń” Szymkiewicz, premiera: 27 sierpnia 2016 w Zachęcie - Narodowej Galerii Sztuki w Warszawie pl
dc.abstract.en Reviewing Michał Zadara's Orestes (CENTRALA, Zachęta Narodowa Galeria Sztuki, prem.:27 Aug 2016), Zuzanna Berendt analyses the way in which the director plays with the convention of ancient theatre. She shows how the creators translate the structure of the ancient text, including rhetorical monologues and witness testimony, into the present mediatisation of social and political life. The author also writes about the space in which the performance was presented - the room at the Zachęta Gallery, where president Gabriel Narutowicz was assassinated in 1922. Berendt is critical towards the inclusion of present and historical political context, here referred to only through events accompanying the performance and its advertising campaign in the media. pl
dc.subject.pl Eurypides pl
dc.subject.pl Michał Zadara pl
dc.subject.en Eurypides pl
dc.subject.en Michał Zadara pl
dc.description.number 135 pl
dc.title.journal Didaskalia pl
dc.language.container pol pl
dc.affiliation Wydział Polonistyki pl
dc.subtype OtherDocuments pl
dc.rights.original bez licencji pl

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