Jagiellonian University Repository

Antyestetyzm świata przedstawionego w kreskówkach Cartoon Network : próba zastosowania analizy zawartości do badań masowej kultury artystycznej

Antyestetyzm świata przedstawionego w kreskówkach ...

Show full item record

dc.contributor.author Czarna, Anna [SAP13036880] pl
dc.date.accessioned 2016-09-12T09:01:41Z
dc.date.available 2016-09-12T09:01:41Z
dc.date.issued 2004 pl
dc.identifier.issn 0555-0025 pl
dc.identifier.uri http://ruj.uj.edu.pl/xmlui/handle/item/30159
dc.language pol pl
dc.rights Dodaję tylko opis bibliograficzny *
dc.rights.uri *
dc.title Antyestetyzm świata przedstawionego w kreskówkach Cartoon Network : próba zastosowania analizy zawartości do badań masowej kultury artystycznej pl
dc.title.alternative The Anti-aestheticism of the world presented in Cartoons Show on Cartoon Network : an attempt to apply content analysis to research mass artistic culture pl
dc.type JournalArticle pl
dc.description.physical 106-125 pl
dc.description.additional Artykuł oparty na pracy dyplomowej autorki pl
dc.identifier.weblink http://mbc.malopolska.pl/dlibra/docmetadata?id=65969&from=publication pl
dc.abstract.en The article presents an attempt to apply content analysis in the study of mass artistic culture. Contemporary American cartoon series seem to emanate with disgust. The question arises whether this 'animated filthiness' in fact increased or is it only an illusion? The content of 314 episodes of the American cartoon series produced since the golden age of animation up till today has been thoroughly analysed. The results of the analysis confirm the common observation that the increase of antiaesthetism in the reality depicted by cartoons is a fact and that it has been especially rapid since the nineties. "Antiaesthetization" predominantly encompassed the images of characters and made them unrealistic, odd, and irrational (unlike the "natural antiaesthetization" - the result of characters' aging). The sources of that phenomenon may stem out from the resistance of the popculture consumers against the cultural dominance of beauty. The opposition emerging from repletion with postmodern globalized "aesthetic fashioning of reality", described by Wolfgang Welsch, (as well as with standards set by Disney in animation) may find an expression in the popculture itself, mostly in humourous forms. Such interpretation has been inspired by the theory of John Fiske, who believes in active participation of audiences in shaping the meaning of popular culture and the resistance of those audiences to hegemonic frames of interpretation in a variety of forms. pl
dc.description.volume 47 pl
dc.description.number 3-4 (179-180) pl
dc.description.points 8 pl
dc.identifier.eissn 2299-6362 pl
dc.title.journal Zeszyty Prasoznawcze pl
dc.language.container pol pl
dc.date.accession 2016-09-12 pl
dc.subtype Article pl
dc.rights.original OTHER; otwarte repozytorium; ostateczna wersja wydawcy; po opublikowaniu; 36; pl

Files in this item

Files Size Format View

There are no files associated with this item.

This item appears in the following Collection(s)