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Alborada iberyjska : kobieca pieśń spotkania o świcie, XI-XVII w.

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Alborada iberyjska : kobieca pieśń spotkania o świcie, XI-XVII w.

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dc.contributor.author Urban-Godziek, Grażyna [SAP11117665] pl
dc.date.accessioned 2022-01-09T10:18:48Z
dc.date.available 2022-01-09T10:18:48Z
dc.date.issued 2021 pl
dc.identifier.issn 1897-1962 pl
dc.identifier.uri https://ruj.uj.edu.pl/xmlui/handle/item/286824
dc.language pol pl
dc.rights Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa *
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/4.0/pl/legalcode *
dc.title Alborada iberyjska : kobieca pieśń spotkania o świcie, XI-XVII w. pl
dc.title.alternative Iberian alborada : feminine song of a meeting at dawn, 11th-17th century pl
dc.type JournalArticle pl
dc.description.physical 1-30 pl
dc.description.additional Online First 2021-12-30 pl
dc.identifier.weblink https://www.ejournals.eu/Wieloglos/2021/3-49-2021/art/20621/ pl
dc.abstract.en The aim of the article is to define the genre of alborada, referring to its oldest Iberian forms, Mozarabic and Portuguese, and showing its evolution in the Early Modern Castilian poetry. This study will therefore serve as a basis for delineating the genre, which was present also in other European literatures, i.a. Polish from Renaissance to Romanticism. Iberian songs discussed here display a clear structure established in a long tradition and exploit the theme of lovers meeting at dawn, originating in the folk tradition, and implemented in Medieval formal courtly genres of kharja, cantiga de amigo (examples of Pero Meogo and Dom Dinis), and in 15th-century villancico, and entering other genres, most prominently sonnets, during the Renaissance. These multiple formal changes result in a gradual evolution of the lyrical subject of the alborada - the original complaint of a girl in love, a girl who is active and fighting for her happiness, has been transformed into a song of adoration and regret of a he-lover who serenades at nights for a lady who is mute and confined to the frame of her window. By this token, the history of the lyrical genre reflects the gradual removal of voices and subjectivity from women. pl
dc.subject.pl liryka - klasyfikacja genologiczna pl
dc.subject.pl alborada pl
dc.subject.pl pieśni kobiet pl
dc.subject.pl chardża pl
dc.subject.pl cantiga de amigo pl
dc.subject.pl villancico pl
dc.subject.en lyrics - generic classification pl
dc.subject.en aborada pl
dc.subject.en women’s songs pl
dc.subject.en kharja pl
dc.subject.en cantiga de amigo pl
dc.subject.en villancico pl
dc.description.number 3 (49) pl
dc.description.publication 1,7 pl
dc.identifier.doi 10.4467/2084395XWI.21.019.15034 pl
dc.identifier.eissn 2084-395X pl
dc.title.journal Wielogłos pl
dc.language.container pol pl
dc.date.accession 2022-07-21 pl
dc.affiliation Wydział Polonistyki : Katedra Historii Literatury Staropolskiej pl
dc.subtype Article pl
dc.rights.original CC-BY-NC-ND; otwarte czasopismo; ostateczna wersja wydawcy; w momencie opublikowania; 0 pl
dc.identifier.project 2012/07/B/HS2/01297 pl
.pointsMNiSW [2021 A]: 70


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Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa Except where otherwise noted, this item's license is described as Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa