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Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice

Oratorios by Amandus Ivanschiz in the context of ...

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dc.contributor.author Jochymczyk, Maciej [SAP14004674] pl
dc.date.accessioned 2015-01-27T10:04:37Z
dc.date.available 2015-01-27T10:04:37Z
dc.date.issued 2014 pl
dc.identifier.issn 1212-0391 pl
dc.identifier.uri http://ruj.uj.edu.pl/xmlui/handle/item/2766
dc.language eng pl
dc.rights Dodaję tylko opis bibliograficzny *
dc.rights.uri *
dc.title Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice pl
dc.type JournalArticle pl
dc.description.physical 251-260 pl
dc.abstract.en Among the works by Amandus Ivanschiz OSPPE (1727–1758) there is a number of compositions entitled Oratorios that do not fit the accepted definitions of the genre. The pieces, as we know them today, are short religious cantatas with texts praising Jesuit saints. The purpose of this text is to give an overview of the critical analysis of the preserved musical sources and the assessment of their credibility, as well as putting Ivanschiz's Oratorios in the context of liturgical tradition of Jesuits from Graz, for whom the compositions were written. Such an approach enables us to clarify the adopted definition of the genre and the role the music initially played. As it follows from the preserved music sources and account books from the St. Ägidius Church in Graz, the five Latin Oratorios do not constitute a set of completely separate works, but de facto a one, five-part cyclic composition, musically complete parts of which were performed separately in consecutive odd days of novena. All mentioned works are contrafacta; originally they were composed to German lyrics, dedicated to St. Francis Xavier. Quite evidently Oratorios in this form were related to the nature of musical life and liturgical tradition of the Jesuit College in Graz. pl
dc.subject.en Amandus Ivanschiz pl
dc.subject.en Oratorium pl
dc.subject.en Graz pl
dc.subject.en Jesuits pl
dc.subject.en contrafactum pl
dc.subject.en St. Francis Xavier pl
dc.description.volume 49 pl
dc.description.number 1 pl
dc.description.publication 0,7 pl
dc.description.conftype international pl
dc.identifier.doi 10.5817/MB2014-1-15 pl
dc.identifier.eissn 2336-436X pl
dc.title.journal Musicologica Brunensia pl
dc.contributor.translator Wróbel, Paweł pl
dc.contributor.translator Jochymczyk, Maciej [SAP14004674] pl
dc.language.container eng pl
dc.affiliation Wydział Historyczny : Instytut Muzykologii pl
dc.subtype ConferenceProceedings pl
dc.conference 48th international musicological colloquium "Piety and Music: the repertoire, practice and theology between sacred and secular. Changes of liturgical and paraliturgical musica figuralis during 17th and 18th centuries in central Europe"; 2013-11-04; 2013-11-06; Brno; Czechy; ; ; ; pl


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