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Skazen i Stig Dagermans noveller


Skazen i Stig Dagermans noveller

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dc.contributor.author Żurawska, Elżbieta [SAP11019808] pl
dc.date.accessioned 2016-01-08T11:11:30Z
dc.date.available 2016-01-08T11:11:30Z
dc.date.issued 2011 pl
dc.identifier.isbn 978-83-233-3325-8 pl
dc.identifier.issn 1897-3035 pl
dc.identifier.uri http://ruj.uj.edu.pl/xmlui/handle/item/19043
dc.language swe pl
dc.rights Dozwolony użytek utworów chronionych *
dc.rights.uri http://ruj.uj.edu.pl/4dspace/License/copyright/licencja_copyright.pdf *
dc.title Skazen i Stig Dagermans noveller pl
dc.title.alternative Skaz in short stories of Stig Dagerman pl
dc.type JournalArticle pl
dc.description.physical 177-196 pl
dc.identifier.weblink http://www.ejournals.eu/Studia-Litteraria/Tom-6-(2011)/Zeszyt-1/art/921/ pl
dc.abstract.en In this paper I investigate the narrative techniques in short stories by Stig Dagerman, one of the leading Swedish writers of the 1940s. I focus on the auctorial narrative situation, in which the narrator exposes his presence in the literary text, taking a position between fiction and reality outside the literature. My observation is that this phenomenon is characteristic for Dagerman’s short stories and that it can be further examined through the perspective of skaz, the oral form of narration. In the first part of my article I briefly discuss different concepts of skaz presented by different scholars, e.g., Eikhenbaum, Vinogradov and Bakhtin, and I point out their limitations. In my analysis I use Titunik’s model of skaz, which makes it possible for me to describe this narrative device in the most complex way with different kinds of determinants, namely grammatical, situative, expressive, allocutive, dialectical and semantic ones. In the second part of my article I show how these determinants manifest themselves in Dagerman’s short stories. The third section of the article includes my conclusions from the analysis. Dagerman uses the technique of skaz in his short stories frequently and intentionally, both in homodiegetic and in the heterodiegetic narration. He applies all determinants of skaz from Titunik’s model, a number of different ones at the same time. He uses dialectical determinants of skaz at the lowest pitch, he rather concentrates on expressive and allocutive ones. The narrator does not only mark his position in the literary text, but he also draws the attention to the presence of the narratee. In this way the very act of communication is stressed in Dagerman’s short stories. The analysis of skaz can therefore make an interesting contribution to the studies of communication strategies in Dagerman’s short stories. pl
dc.subject.en narratology pl
dc.subject.en skaz pl
dc.subject.en Stig Dagerman pl
dc.subject.en Swedish literature pl
dc.description.volume 6 pl
dc.description.number 1 pl
dc.description.publication 1,6 pl
dc.identifier.doi 10.4467/20843933ST.11.014.0312 pl
dc.identifier.eissn 2084-3933 pl
dc.title.journal Studia Litteraria Universitatis Iagellonicae Cracoviensis pl
dc.language.container pol pl
dc.date.accession 2016-01-08 pl
dc.affiliation Wydział Filologiczny : Instytut Filologii Germańskiej pl
dc.subtype Article pl
dc.rights.original OTHER; inne; ostateczna wersja wydawcy; po opublikowaniu; 24; pl
dc.identifier.project ROD UJ / P pl
.pointsMNiSW [2011 B]: 7

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