The early medallic production of French Kings was hardly systematic: it was not until the
reign of Henry IV that the idea of histoire métallique took shape, and even then it was
not fully realized. However, even the early medals provide us with interesting examples of
a well-premeditated programme and a propagandistic dimension. One of the focal tendencies in the public image of the Renaissance kings was the adaptation of classical motifs and their inclusion into royal iconography. The paper analyses the classical elements present on the portrait medals of the French rulers before Louis XIV, their meanings, ancient analogies and sources.
keywords in English:
medallic portrait, classical reception, Renaissance France, imagery of power