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The sinful woman as an example of metanoia in Byzantine poetry

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The sinful woman as an example of metanoia in Byzantine poetry

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dc.contributor.author Heszen, Agnieszka [SAP11016941] pl
dc.date.accessioned 2015-07-02T13:35:19Z
dc.date.available 2015-07-02T13:35:19Z
dc.date.issued 2014 pl
dc.identifier.issn 1505-8913 pl
dc.identifier.uri http://ruj.uj.edu.pl/xmlui/handle/item/11278
dc.language eng pl
dc.title The sinful woman as an example of metanoia in Byzantine poetry pl
dc.type JournalArticle pl
dc.description.physical 69-87 pl
dc.abstract.en A story about the sinful woman is told in the Gospel, where she is an example of deep repentance. The Byzantine authors often used this example in their poetic and homiletic works. In this article I juxtapose three genres of Byzantine poetry and I compare the literary motif of the sinful woman which appears in each of them. I choose the most representative genres of Byzantine poetry, as kontakion, kanon and troparion (or sticheron). In the first part I examine Romanos’ kontakion On the sinful woman, in the second one – Andrew of Crete’s the Megas Kanon and in the last part – Kassia’s troparion, commonly called On Mary Magdalene. The works are connected by the common theme, but they are different in respect of the form and the literary genre. In my paper I try to show how the same example of the Gospel parable is used in different ways in literary works. pl
dc.subject.en Romanos the Melodist pl
dc.subject.en Andrew of Crete pl
dc.subject.en Kassia the Nun pl
dc.subject.en kontakion pl
dc.subject.en kanon pl
dc.subject.en troparion pl
dc.subject.en metanoia pl
dc.subject.en the sinful woman pl
dc.description.volume 17 pl
dc.description.publication 1,12 pl
dc.identifier.doi 10.12797/CC.17.2014.17.04 pl
dc.identifier.eissn 2391-6753 pl
dc.title.journal Classica Cracoviensia pl
dc.language.container eng pl
dc.affiliation Wydział Filologiczny : Instytut Filologii Klasycznej pl
dc.subtype Article pl
dc.rights.original bez licencji pl
.pointsMNiSW [2014 B]: 6


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