The sound of purple : Prince and the development of Minneapolis Sound

2022
book section
article
dc.abstract.enPrince's 1980 LP Dirty Mind is often considered as his breakthrough achievement, which started his career as a promising artist from Minnesota. It is now recognized as one of the first LPs presenting a perfect example of a specific mixture of funk, synthpop, and new wave, which is now considered not only Prince's signature sound but also Minneapolis'. The connection between the music and the city was so strong, it became its sound - the Minneapolis Sound. The chapter concentrates on Prince's role in the development of this phenomenon. The study shows how Prince was not only able to shape and lead Minneapolis Sound, but also served as the mentor for a group of his adherents. It also highlights the issue of a specific "city sound" and its relation to the social, artistic and urban environment. By mentioning other musical occurrences such as the Seattle Sound, the Nashville Sound, or the San Francisco Sound, the research provokes questions about factors needed to constitute specific sounds, a relation between both, and the influence of local music scenes on the artistic character of urban regions.pl
dc.affiliationWydział Studiów Międzynarodowych i Politycznych : Instytut Amerykanistyki i Studiów Polonijnychpl
dc.contributor.authorSmółka, Maciej - 187336 pl
dc.contributor.editorAlleyne, Mikepl
dc.contributor.editorFairclough, Kirstypl
dc.date.accessioned2023-09-04T10:49:37Z
dc.date.available2023-09-04T10:49:37Z
dc.date.issued2022pl
dc.description.additionalPaperback edition. First published in the United States of America 2020pl
dc.description.physical56-64pl
dc.description.points75pl
dc.description.publication0,7pl
dc.identifier.bookweblinkhttps://worldcat.org/title/1268205638pl
dc.identifier.eisbn978-1-5013-5468-7pl
dc.identifier.eisbn978-1-5013-5466-3pl
dc.identifier.isbn978-1-5013-5465-6pl
dc.identifier.isbn978-1-5013-9175-0pl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/318268
dc.languageengpl
dc.language.containerengpl
dc.participationSmółka, Maciej: 100%;pl
dc.pbn.affiliationDziedzina nauk humanistycznych : nauki o kulturze i religiipl
dc.pubinfoNew Yorkpl
dc.pubinfoLondonpl
dc.pubinfoOxfordpl
dc.pubinfoNew Delhipl
dc.pubinfoSydney : Bloomsbury Publishingpl
dc.publisher.ministerialBloomsbury Publishingpl
dc.rightsDodaję tylko opis bibliograficzny*
dc.rights.licenceBez licencji otwartego dostępu
dc.rights.uri*
dc.sourceinfoliczba autorów 19; liczba stron 233; liczba arkuszy wydawniczych 16,3;pl
dc.subject.enthe Minneapolis Soundpl
dc.subject.enPrincepl
dc.subject.enMinneapolispl
dc.subject.enpopular musicpl
dc.subject.enlocal music scenepl
dc.subtypeArticlepl
dc.titleThe sound of purple : Prince and the development of Minneapolis Soundpl
dc.title.containerPrince and popular music : critical perspectives on an interdisciplinary lifepl
dc.typeBookSectionpl
dspace.entity.typePublication
dc.abstract.enpl
Prince's 1980 LP Dirty Mind is often considered as his breakthrough achievement, which started his career as a promising artist from Minnesota. It is now recognized as one of the first LPs presenting a perfect example of a specific mixture of funk, synthpop, and new wave, which is now considered not only Prince's signature sound but also Minneapolis'. The connection between the music and the city was so strong, it became its sound - the Minneapolis Sound. The chapter concentrates on Prince's role in the development of this phenomenon. The study shows how Prince was not only able to shape and lead Minneapolis Sound, but also served as the mentor for a group of his adherents. It also highlights the issue of a specific "city sound" and its relation to the social, artistic and urban environment. By mentioning other musical occurrences such as the Seattle Sound, the Nashville Sound, or the San Francisco Sound, the research provokes questions about factors needed to constitute specific sounds, a relation between both, and the influence of local music scenes on the artistic character of urban regions.
dc.affiliationpl
Wydział Studiów Międzynarodowych i Politycznych : Instytut Amerykanistyki i Studiów Polonijnych
dc.contributor.authorpl
Smółka, Maciej - 187336
dc.contributor.editorpl
Alleyne, Mike
dc.contributor.editorpl
Fairclough, Kirsty
dc.date.accessioned
2023-09-04T10:49:37Z
dc.date.available
2023-09-04T10:49:37Z
dc.date.issuedpl
2022
dc.description.additionalpl
Paperback edition. First published in the United States of America 2020
dc.description.physicalpl
56-64
dc.description.pointspl
75
dc.description.publicationpl
0,7
dc.identifier.bookweblinkpl
https://worldcat.org/title/1268205638
dc.identifier.eisbnpl
978-1-5013-5468-7
dc.identifier.eisbnpl
978-1-5013-5466-3
dc.identifier.isbnpl
978-1-5013-5465-6
dc.identifier.isbnpl
978-1-5013-9175-0
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/318268
dc.languagepl
eng
dc.language.containerpl
eng
dc.participationpl
Smółka, Maciej: 100%;
dc.pbn.affiliationpl
Dziedzina nauk humanistycznych : nauki o kulturze i religii
dc.pubinfopl
New York
dc.pubinfopl
London
dc.pubinfopl
Oxford
dc.pubinfopl
New Delhi
dc.pubinfopl
Sydney : Bloomsbury Publishing
dc.publisher.ministerialpl
Bloomsbury Publishing
dc.rights*
Dodaję tylko opis bibliograficzny
dc.rights.licence
Bez licencji otwartego dostępu
dc.rights.uri*
dc.sourceinfopl
liczba autorów 19; liczba stron 233; liczba arkuszy wydawniczych 16,3;
dc.subject.enpl
the Minneapolis Sound
dc.subject.enpl
Prince
dc.subject.enpl
Minneapolis
dc.subject.enpl
popular music
dc.subject.enpl
local music scene
dc.subtypepl
Article
dc.titlepl
The sound of purple : Prince and the development of Minneapolis Sound
dc.title.containerpl
Prince and popular music : critical perspectives on an interdisciplinary life
dc.typepl
BookSection
dspace.entity.type
Publication
Affiliations

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