Koncepcje teatru społecznie zaangażowanego według Juliusza Osterwy

2018
journal article
article
dc.abstract.enThe author distinguishes three phases in Osterwa’s artistic development: the production of Uciekła mi przepióreczka ("My Little Quail Has Run Away") by Stefan Żeromski where the individuality of the creator and his creative idea coupled with the idea presented in the play, the activity of the touring Reduta (1924-1939), and the wartime conceptions of "Social Theatre." What Osterwa found so compelling in Żeromski’s work was the idea of regionalism and work at grass roots, and the character of Docent Przełęcki, played by the actor for years, became Osterwa’s spiritual patron. Osterwa treated tours with the Reduta, initiated in 1924, as a social mission. The aim was to promote and popularise Polish dramaturgy, to revive the intellectual life of the provinces, to educate and provide high-quality artistic entertainment for communities that did not have any local theatre. Osterwa founded an exemplary touring theatre, which had no precedent in the history of the Polish stage as far as its proportions, ambitions and the regularity of touring were concerned. Statistics cited in the article make one realise the sheer magnitude of the enterprise that stands out in the history of interwar-period theatre in Poland. During the Second World War, Osterwa worked on the conception of Social Theatre, a set ideas on how to organise provincial spectacles in a way that would enable Osterwa to establish a modern theatre for mass audiences. The project has never been realised, but it can be reconstructed based on Osterwa’s surviving notebooks and wartime diaries.pl
dc.affiliationWydział Polonistyki : Katedra Performatykipl
dc.contributor.authorŚwiątkowska, Wanda - 186283 pl
dc.date.accession2020-09-15pl
dc.date.accessioned2019-01-04T09:37:28Z
dc.date.available2019-01-04T09:37:28Z
dc.date.issued2018pl
dc.date.openaccess0
dc.description.accesstimew momencie opublikowania
dc.description.number3 (267)pl
dc.description.physical146-168pl
dc.description.publication1,3pl
dc.description.versionostateczna wersja wydawcy
dc.description.volume67pl
dc.identifier.issn0031-0522pl
dc.identifier.projectROD UJ / OPpl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/64792
dc.identifier.weblinkhttps://czasopisma.ispan.pl/index.php/pt/article/view/423pl
dc.languagepolpl
dc.language.containerpolpl
dc.rightsUdzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa*
dc.rights.licenceCC-BY-NC-ND
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.pl*
dc.share.typeotwarte czasopismo
dc.subject.enJuliusz Osterwapl
dc.subject.enPolish theatre in the 20s and 1930spl
dc.subject.entheatre historypl
dc.subject.ensocially engaged artpl
dc.subject.plJuliusz Osterwapl
dc.subject.plpolski teatr międzywojniapl
dc.subject.plhistoria teatrupl
dc.subject.plsztuka społecznie zaangażowanapl
dc.subtypeArticlepl
dc.titleKoncepcje teatru społecznie zaangażowanego według Juliusza Osterwypl
dc.title.alternativeThe conceptions of socially engaged theatre according to Juliusz Osterwapl
dc.title.journalPamiętnik Teatralnypl
dc.title.volumeW stulecie odzyskania niepodległości (1918-2018)pl
dc.typeJournalArticlepl
dspace.entity.typePublication
dc.abstract.enpl
The author distinguishes three phases in Osterwa’s artistic development: the production of Uciekła mi przepióreczka ("My Little Quail Has Run Away") by Stefan Żeromski where the individuality of the creator and his creative idea coupled with the idea presented in the play, the activity of the touring Reduta (1924-1939), and the wartime conceptions of "Social Theatre." What Osterwa found so compelling in Żeromski’s work was the idea of regionalism and work at grass roots, and the character of Docent Przełęcki, played by the actor for years, became Osterwa’s spiritual patron. Osterwa treated tours with the Reduta, initiated in 1924, as a social mission. The aim was to promote and popularise Polish dramaturgy, to revive the intellectual life of the provinces, to educate and provide high-quality artistic entertainment for communities that did not have any local theatre. Osterwa founded an exemplary touring theatre, which had no precedent in the history of the Polish stage as far as its proportions, ambitions and the regularity of touring were concerned. Statistics cited in the article make one realise the sheer magnitude of the enterprise that stands out in the history of interwar-period theatre in Poland. During the Second World War, Osterwa worked on the conception of Social Theatre, a set ideas on how to organise provincial spectacles in a way that would enable Osterwa to establish a modern theatre for mass audiences. The project has never been realised, but it can be reconstructed based on Osterwa’s surviving notebooks and wartime diaries.
dc.affiliationpl
Wydział Polonistyki : Katedra Performatyki
dc.contributor.authorpl
Świątkowska, Wanda - 186283
dc.date.accessionpl
2020-09-15
dc.date.accessioned
2019-01-04T09:37:28Z
dc.date.available
2019-01-04T09:37:28Z
dc.date.issuedpl
2018
dc.date.openaccess
0
dc.description.accesstime
w momencie opublikowania
dc.description.numberpl
3 (267)
dc.description.physicalpl
146-168
dc.description.publicationpl
1,3
dc.description.version
ostateczna wersja wydawcy
dc.description.volumepl
67
dc.identifier.issnpl
0031-0522
dc.identifier.projectpl
ROD UJ / OP
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/64792
dc.identifier.weblinkpl
https://czasopisma.ispan.pl/index.php/pt/article/view/423
dc.languagepl
pol
dc.language.containerpl
pol
dc.rights*
Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa
dc.rights.licence
CC-BY-NC-ND
dc.rights.uri*
http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.pl
dc.share.type
otwarte czasopismo
dc.subject.enpl
Juliusz Osterwa
dc.subject.enpl
Polish theatre in the 20s and 1930s
dc.subject.enpl
theatre history
dc.subject.enpl
socially engaged art
dc.subject.plpl
Juliusz Osterwa
dc.subject.plpl
polski teatr międzywojnia
dc.subject.plpl
historia teatru
dc.subject.plpl
sztuka społecznie zaangażowana
dc.subtypepl
Article
dc.titlepl
Koncepcje teatru społecznie zaangażowanego według Juliusza Osterwy
dc.title.alternativepl
The conceptions of socially engaged theatre according to Juliusz Osterwa
dc.title.journalpl
Pamiętnik Teatralny
dc.title.volumepl
W stulecie odzyskania niepodległości (1918-2018)
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

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