Potencjalności transformacji : krótkie trwanie performansów kulturowych w Polsce lat 90.

2022
book
monography
dc.abstract.enThe book reflects on the 1990s in Poland as a time of transformation, treating the historical aspect of this period as a space open to specula tion about the Pole’s present and future. Indeed, I consider the 1990s a cultural experiment, full of potential for modernization and eman cipation, which after all, has not been fully implemented in culture. Therefore, the phenomena, mechanisms, languages, and cultural and social practices I describe in the book are collectively called by me the cultural performances of brève durée (Fr. short-term; in contrast to longue durée, the long-lasting historical processes). The relationships I forge between the past fragments of the Polish political transforma tion concentrate on deliberations of inconsistency, breaks, contradic tions, retractions, and disappearances of emancipatory potentiality. I track several mutually illuminating performances of brève durée that reveal and map places of unfinished emancipatory processes of the Polish transformation. Performances of brève durée are brief, momentary, ephemeral strategies of cultural programs that happen or play out in the sociocultural space to soon disappear, leaving behind only traces of aesthetics, rules, cultural obligations, changes, and re sistances against dominant discourses and social practices. Moreover, they leave behind possibilities for the future, in turn revealing the secluded, insular nature of Polish modernity. Supplemented by later narratives and determined by present ones, they gain the status of a past that never came to be, thus something that could emerge in the present or become a demand for the future. I describe the Polish 1990s as archives of modernizing, freedom, and affirmation potentialities, which proposed the possible scenario of changes that were happening in the social life of the time. I un derstand archives of potentiality as the mapping of hybrid cultural performances created at the intersection of art, science, and social practices, which remained unrealized, fragile, and fleeting, leaving be hind only traces with which one may recreate projects of an unfinished and potential Polishness, one that is equal, democratic, emancipated, just, empathetic, secular, modernized, open to diversity and otherness, green, and connected to global processes.The Polish political transformation - particularly in the 1990s - emerges in this context as a unique laboratory of unfinished emancipa tions in the country’s political and social history. Art played a crucial role in this emancipatory process; it probed, diagnosed, antagonized, and produced practices, narratives, and images for a society under transformation and for a nascent democracy. Art modernized, pro voked critical reflection, transcended local sociocultural conditioning, and broadened imagination. Furthermore, the laboratory of Polish transformation formed interactive relations between social and artistic actions. Today, they can be probed and arranged in constellations made of cultural phenomena, their contexts, and social transforma tion processes. In turn, this constellational layout allows us to observe something which had never been arranged or presented in this way before.pl
dc.affiliationWydział Polonistyki : Katedra Performatykipl
dc.contributor.authorIwanczewska, Łucja - 147044 pl
dc.contributor.serieseditorNycz, Ryszard - 131091 pl
dc.contributor.serieseditorDomańska, Ewapl
dc.contributor.serieseditorGłowacka, Dorotapl
dc.contributor.serieseditorLeśniak, Andrzejpl
dc.contributor.serieseditorLipszyc, Adampl
dc.contributor.serieseditorMajewski, Tomasz - 241945 pl
dc.contributor.serieseditorMomro, Jakub - 174253 pl
dc.contributor.serieseditorMościcki, Pawełpl
dc.contributor.serieseditorPłonowska-Ziarek, Ewapl
dc.contributor.serieseditorSendyka, Roma - 131825 pl
dc.contributor.serieseditorTokarska-Bakir, Joannapl
dc.contributor.serieseditorŻylińska, Joannapl
dc.contributor.serieseditorŻychliński, Arkadiuszpl
dc.date.accessioned2022-07-13T06:54:21Z
dc.date.available2022-07-13T06:54:21Z
dc.date.issued2022pl
dc.description.physical284, [1]pl
dc.description.publication16pl
dc.description.seriesNowa Humanistyka
dc.description.seriesnumber72
dc.identifier.isbn978-83-66898-46-2pl
dc.identifier.seriesissn2353-494X
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/296667
dc.languagepolpl
dc.pubinfoWarszawa : Instytut Badań Literackich PANpl
dc.publisher.ministerialInstytut Badań Literackich Polskiej Akademii Naukpl
dc.rightsDodaję tylko opis bibliograficzny*
dc.rights.licencebez licencji
dc.rights.uri*
dc.subtypeMonographypl
dc.titlePotencjalności transformacji : krótkie trwanie performansów kulturowych w Polsce lat 90.pl
dc.title.alternativeTransformation potentialities : the brève durée of cultural performances in the 1990s Polandpl
dc.typeBookpl
dspace.entity.typePublication
dc.abstract.enpl
The book reflects on the 1990s in Poland as a time of transformation, treating the historical aspect of this period as a space open to specula tion about the Pole’s present and future. Indeed, I consider the 1990s a cultural experiment, full of potential for modernization and eman cipation, which after all, has not been fully implemented in culture. Therefore, the phenomena, mechanisms, languages, and cultural and social practices I describe in the book are collectively called by me the cultural performances of brève durée (Fr. short-term; in contrast to longue durée, the long-lasting historical processes). The relationships I forge between the past fragments of the Polish political transforma tion concentrate on deliberations of inconsistency, breaks, contradic tions, retractions, and disappearances of emancipatory potentiality. I track several mutually illuminating performances of brève durée that reveal and map places of unfinished emancipatory processes of the Polish transformation. Performances of brève durée are brief, momentary, ephemeral strategies of cultural programs that happen or play out in the sociocultural space to soon disappear, leaving behind only traces of aesthetics, rules, cultural obligations, changes, and re sistances against dominant discourses and social practices. Moreover, they leave behind possibilities for the future, in turn revealing the secluded, insular nature of Polish modernity. Supplemented by later narratives and determined by present ones, they gain the status of a past that never came to be, thus something that could emerge in the present or become a demand for the future. I describe the Polish 1990s as archives of modernizing, freedom, and affirmation potentialities, which proposed the possible scenario of changes that were happening in the social life of the time. I un derstand archives of potentiality as the mapping of hybrid cultural performances created at the intersection of art, science, and social practices, which remained unrealized, fragile, and fleeting, leaving be hind only traces with which one may recreate projects of an unfinished and potential Polishness, one that is equal, democratic, emancipated, just, empathetic, secular, modernized, open to diversity and otherness, green, and connected to global processes.The Polish political transformation - particularly in the 1990s - emerges in this context as a unique laboratory of unfinished emancipa tions in the country’s political and social history. Art played a crucial role in this emancipatory process; it probed, diagnosed, antagonized, and produced practices, narratives, and images for a society under transformation and for a nascent democracy. Art modernized, pro voked critical reflection, transcended local sociocultural conditioning, and broadened imagination. Furthermore, the laboratory of Polish transformation formed interactive relations between social and artistic actions. Today, they can be probed and arranged in constellations made of cultural phenomena, their contexts, and social transforma tion processes. In turn, this constellational layout allows us to observe something which had never been arranged or presented in this way before.
dc.affiliationpl
Wydział Polonistyki : Katedra Performatyki
dc.contributor.authorpl
Iwanczewska, Łucja - 147044
dc.contributor.serieseditorpl
Nycz, Ryszard - 131091
dc.contributor.serieseditorpl
Domańska, Ewa
dc.contributor.serieseditorpl
Głowacka, Dorota
dc.contributor.serieseditorpl
Leśniak, Andrzej
dc.contributor.serieseditorpl
Lipszyc, Adam
dc.contributor.serieseditorpl
Majewski, Tomasz - 241945
dc.contributor.serieseditorpl
Momro, Jakub - 174253
dc.contributor.serieseditorpl
Mościcki, Paweł
dc.contributor.serieseditorpl
Płonowska-Ziarek, Ewa
dc.contributor.serieseditorpl
Sendyka, Roma - 131825
dc.contributor.serieseditorpl
Tokarska-Bakir, Joanna
dc.contributor.serieseditorpl
Żylińska, Joanna
dc.contributor.serieseditorpl
Żychliński, Arkadiusz
dc.date.accessioned
2022-07-13T06:54:21Z
dc.date.available
2022-07-13T06:54:21Z
dc.date.issuedpl
2022
dc.description.physicalpl
284, [1]
dc.description.publicationpl
16
dc.description.series
Nowa Humanistyka
dc.description.seriesnumber
72
dc.identifier.isbnpl
978-83-66898-46-2
dc.identifier.seriesissn
2353-494X
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/296667
dc.languagepl
pol
dc.pubinfopl
Warszawa : Instytut Badań Literackich PAN
dc.publisher.ministerialpl
Instytut Badań Literackich Polskiej Akademii Nauk
dc.rights*
Dodaję tylko opis bibliograficzny
dc.rights.licence
bez licencji
dc.rights.uri*
dc.subtypepl
Monography
dc.titlepl
Potencjalności transformacji : krótkie trwanie performansów kulturowych w Polsce lat 90.
dc.title.alternativepl
Transformation potentialities : the brève durée of cultural performances in the 1990s Poland
dc.typepl
Book
dspace.entity.type
Publication

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