Stefan Themerson’s Opera (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops)

2016
journal article
translation
dc.abstract.enThe paper focuses on the experimental work of Stefan Themerson (St. Francis and The Wolf of Gubbio or Brother Francis’ Lamb Chops, an Opera in 2 Acts, text and music by Stefan Themerson, drawings by Franciszka Themerson, De Harmonie - Gaberbocchus Press, Amsterdam - London 1972) and the question of intermediality in general. An interpretation of the "semantic opera" (written in 1954-1960, as a continuation of Semantic Divertissements [1962] and factor T [1956]), places Themerson’s idea in the context of the aesthetics of intermediality. The author signals a terminological confusion connected with the understanding of St. Francis and The Wolf of Gubbio (semantic opera; hybrid work; intermedial work, etc.) and argues that the aesthetics of intermediality appear to be an important and inspiring context for the interpretation of Themerson’s text and life. In this case, considerations on the subject of textuality show, on the one hand, different relations between literature, painting, music and theatre (artistic intermediality), and, on the other, the phenomenon of intermediality as the aesthetics of existence.pl
dc.affiliationWydział Polonistyki : Katedra Teorii Literaturypl
dc.contributor.authorHejmej, Andrzej - 128303 pl
dc.date.accession2017-10-29pl
dc.date.accessioned2017-11-06T16:01:46Z
dc.date.available2017-11-06T16:01:46Z
dc.date.issued2016pl
dc.date.openaccess0
dc.description.accesstimew momencie opublikowania
dc.description.additionalStreszcz. po ang., bibliogr.pl
dc.description.number8pl
dc.description.physical35-52pl
dc.description.publication1,07pl
dc.description.versionostateczna wersja wydawcy
dc.description.volume38pl
dc.identifier.doi10.18778/1505-9057.38.03pl
dc.identifier.eissn2353-1908pl
dc.identifier.issn1505-9057pl
dc.identifier.projectROD UJ / Ppl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/45956
dc.identifier.weblinkhttp://repozytorium.uni.lodz.pl:8080/xmlui/bitstream/handle/11089/22144/0_3_%5b35%5d-52_Hejmej.pdf?sequence=1&isAllowed=ypl
dc.languageengpl
dc.language.containerpolpl
dc.rightsUdzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych*
dc.rights.licenceCC-BY-NC-ND
dc.rights.urihttps://creativecommons.org/licenses*
dc.share.typeotwarte czasopismo
dc.subject.enStefan Themersonpl
dc.subject.enFranciszka Themersonpl
dc.subject.enSt. Francis and The Wolf of Gubbio or Brother Francis’ Lamb Chopspl
dc.subject.ensemantic operapl
dc.subtypeTranslationpl
dc.titleStefan Themerson’s Opera (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops)pl
dc.title.alternativeOpera Stefana Themersona (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops)pl
dc.title.alternativeOpera according to Stefan Themerson (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops)pl
dc.title.journalActa Universitatis Lodziensis. Folia Litteraria Polonicapl
dc.typeJournalArticlepl
dspace.entity.typePublication
dc.abstract.enpl
The paper focuses on the experimental work of Stefan Themerson (St. Francis and The Wolf of Gubbio or Brother Francis’ Lamb Chops, an Opera in 2 Acts, text and music by Stefan Themerson, drawings by Franciszka Themerson, De Harmonie - Gaberbocchus Press, Amsterdam - London 1972) and the question of intermediality in general. An interpretation of the "semantic opera" (written in 1954-1960, as a continuation of Semantic Divertissements [1962] and factor T [1956]), places Themerson’s idea in the context of the aesthetics of intermediality. The author signals a terminological confusion connected with the understanding of St. Francis and The Wolf of Gubbio (semantic opera; hybrid work; intermedial work, etc.) and argues that the aesthetics of intermediality appear to be an important and inspiring context for the interpretation of Themerson’s text and life. In this case, considerations on the subject of textuality show, on the one hand, different relations between literature, painting, music and theatre (artistic intermediality), and, on the other, the phenomenon of intermediality as the aesthetics of existence.
dc.affiliationpl
Wydział Polonistyki : Katedra Teorii Literatury
dc.contributor.authorpl
Hejmej, Andrzej - 128303
dc.date.accessionpl
2017-10-29
dc.date.accessioned
2017-11-06T16:01:46Z
dc.date.available
2017-11-06T16:01:46Z
dc.date.issuedpl
2016
dc.date.openaccess
0
dc.description.accesstime
w momencie opublikowania
dc.description.additionalpl
Streszcz. po ang., bibliogr.
dc.description.numberpl
8
dc.description.physicalpl
35-52
dc.description.publicationpl
1,07
dc.description.version
ostateczna wersja wydawcy
dc.description.volumepl
38
dc.identifier.doipl
10.18778/1505-9057.38.03
dc.identifier.eissnpl
2353-1908
dc.identifier.issnpl
1505-9057
dc.identifier.projectpl
ROD UJ / P
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/45956
dc.identifier.weblinkpl
http://repozytorium.uni.lodz.pl:8080/xmlui/bitstream/handle/11089/22144/0_3_%5b35%5d-52_Hejmej.pdf?sequence=1&isAllowed=y
dc.languagepl
eng
dc.language.containerpl
pol
dc.rights*
Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych
dc.rights.licence
CC-BY-NC-ND
dc.rights.uri*
https://creativecommons.org/licenses
dc.share.type
otwarte czasopismo
dc.subject.enpl
Stefan Themerson
dc.subject.enpl
Franciszka Themerson
dc.subject.enpl
St. Francis and The Wolf of Gubbio or Brother Francis’ Lamb Chops
dc.subject.enpl
semantic opera
dc.subtypepl
Translation
dc.titlepl
Stefan Themerson’s Opera (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops)
dc.title.alternativepl
Opera Stefana Themersona (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops)
dc.title.alternativepl
Opera according to Stefan Themerson (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops)
dc.title.journalpl
Acta Universitatis Lodziensis. Folia Litteraria Polonica
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

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