Po co dramaturgowi aktor performatywny?

2021
journal article
article
dc.abstract.enThe article is an attempt to answer the question of how contemporary performative acting enters into artistically and cognitively significant interactions with the new Polish dramaturgy. The relationship between the two forms of art is discussed in relation to two types of acting: task-oriented and performative. The concept of both types of acting is derived from the analysis of selected contemporary theater and television productions of dramas and scenarios arising from the achievements of the latest Polish dramaturgy. The examples that are analyzed reveal various aspects and types of the actors’ performative game, which include the issues of the actor’s subjectivity, their presence on stage and the materiality of the body. Unlike many of today’s discussions, the interpretations and comments on selected scenes and fragments of a performance do not focus on the subversive dimension of the above-mentioned aspects of acting, but look for new perspectives of reception and, at the same time, broaden the areas of theatrical experience. These new perspectives and areas are triggered by references to the affective and mental processes of reception, which allow perceptions to exclude, at least partially, the tendency to automatically interpret everything that surrounds them. The analyses featured in the article therefore aim to describe those aspects of performative acting that enable the viewer to derive benefit from what the new Polish dramaturgy offers.pl
dc.affiliationWydział Polonistyki : Katedra Performatykipl
dc.contributor.authorBaluch, Wojciech - 127180 pl
dc.contributor.serieseditorKrajewska, Annapl
dc.date.accession2022-05-10pl
dc.date.accessioned2022-05-10T07:27:31Z
dc.date.available2022-05-10T07:27:31Z
dc.date.issued2021pl
dc.date.openaccess0
dc.description.accesstimew momencie opublikowania
dc.description.number36pl
dc.description.physical137-152pl
dc.description.publication1pl
dc.description.versionostateczna wersja wydawcy
dc.identifier.doi10.14746/pt.2021.36.8pl
dc.identifier.eissn2450-5765pl
dc.identifier.issn1644-6763pl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/291848
dc.identifier.weblinkhttps://pressto.amu.edu.pl/index.php/pt/article/view/30687/27091pl
dc.languagepolpl
dc.language.containerpolpl
dc.pbn.affiliationDziedzina nauk humanistycznych : literaturoznawstwopl
dc.rightsUdzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa*
dc.rights.licenceCC-BY-NC-ND
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.pl*
dc.share.typeotwarte czasopismo
dc.subject.endramaturgypl
dc.subject.enperformative actingpl
dc.subject.enaffectivenesspl
dc.subtypeArticlepl
dc.titlePo co dramaturgowi aktor performatywny?pl
dc.title.alternativeWhy a playwright needs a performative actor?pl
dc.title.journalPrzestrzenie Teoriipl
dc.title.volumeDramaturgie współczesnej humanistykipl
dc.typeJournalArticlepl
dspace.entity.typePublication
dc.abstract.enpl
The article is an attempt to answer the question of how contemporary performative acting enters into artistically and cognitively significant interactions with the new Polish dramaturgy. The relationship between the two forms of art is discussed in relation to two types of acting: task-oriented and performative. The concept of both types of acting is derived from the analysis of selected contemporary theater and television productions of dramas and scenarios arising from the achievements of the latest Polish dramaturgy. The examples that are analyzed reveal various aspects and types of the actors’ performative game, which include the issues of the actor’s subjectivity, their presence on stage and the materiality of the body. Unlike many of today’s discussions, the interpretations and comments on selected scenes and fragments of a performance do not focus on the subversive dimension of the above-mentioned aspects of acting, but look for new perspectives of reception and, at the same time, broaden the areas of theatrical experience. These new perspectives and areas are triggered by references to the affective and mental processes of reception, which allow perceptions to exclude, at least partially, the tendency to automatically interpret everything that surrounds them. The analyses featured in the article therefore aim to describe those aspects of performative acting that enable the viewer to derive benefit from what the new Polish dramaturgy offers.
dc.affiliationpl
Wydział Polonistyki : Katedra Performatyki
dc.contributor.authorpl
Baluch, Wojciech - 127180
dc.contributor.serieseditorpl
Krajewska, Anna
dc.date.accessionpl
2022-05-10
dc.date.accessioned
2022-05-10T07:27:31Z
dc.date.available
2022-05-10T07:27:31Z
dc.date.issuedpl
2021
dc.date.openaccess
0
dc.description.accesstime
w momencie opublikowania
dc.description.numberpl
36
dc.description.physicalpl
137-152
dc.description.publicationpl
1
dc.description.version
ostateczna wersja wydawcy
dc.identifier.doipl
10.14746/pt.2021.36.8
dc.identifier.eissnpl
2450-5765
dc.identifier.issnpl
1644-6763
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/291848
dc.identifier.weblinkpl
https://pressto.amu.edu.pl/index.php/pt/article/view/30687/27091
dc.languagepl
pol
dc.language.containerpl
pol
dc.pbn.affiliationpl
Dziedzina nauk humanistycznych : literaturoznawstwo
dc.rights*
Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa
dc.rights.licence
CC-BY-NC-ND
dc.rights.uri*
http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.pl
dc.share.type
otwarte czasopismo
dc.subject.enpl
dramaturgy
dc.subject.enpl
performative acting
dc.subject.enpl
affectiveness
dc.subtypepl
Article
dc.titlepl
Po co dramaturgowi aktor performatywny?
dc.title.alternativepl
Why a playwright needs a performative actor?
dc.title.journalpl
Przestrzenie Teorii
dc.title.volumepl
Dramaturgie współczesnej humanistyki
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

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