W Królestwie Antonomazji : o (meta)fikcji u Cervantesa

2022
journal article
article
cris.lastimport.wos2024-04-10T00:24:55Z
dc.abstract.enThe story of Princess Antonomasia is one of the relatively autonomous tales interpolated into the string of adventures centered round the title character of Don Quixote. The fact that the Princess is named after the rhetorical device of antonomasia (pronominatio), well known from ancient and early modern textbooks (Cicero, Quintilian, Erasmus, Juan Luis Vives, Cypriano de Soarez), is also one of the many signals alerting the reader to the multilevel significance of names and naming in Cervantes' fictional world. So, in this case, Antonomasia functions as a regular proper name and, once its figurative potential is factored in, as an alias, hiding or replacing the Princess's real name. In Don Quixote Cervantes uses antonomasia, i.e. the trope of calling a person by a descriptive tag different from his or her given name, not only to multiply new, straightforwardly appropriate epithets, but also to open to metaphor, metonymy, synecdoche, allegory, irony or paradox.pl
dc.affiliationWydział Polonistyki : Katedra Komparatystyki Literackiejpl
dc.contributor.authorRyczek, Wojciech - 105749 pl
dc.date.accession2023-05-05pl
dc.date.accessioned2023-05-05T11:40:38Z
dc.date.available2023-05-05T11:40:38Z
dc.date.issued2022pl
dc.date.openaccess0
dc.description.accesstimew momencie opublikowania
dc.description.number5 (374)pl
dc.description.physical747-763pl
dc.description.publication0,8pl
dc.description.versionostateczna wersja wydawcy
dc.description.volume63pl
dc.identifier.doi10.24425/rl.2022.142990pl
dc.identifier.eissn2300-1968pl
dc.identifier.issn0035-9602pl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/311118
dc.identifier.weblinkhttps://journals.pan.pl/dlibra/publication/142990/edition/127063/contentpl
dc.languagepolpl
dc.language.containerpolpl
dc.pbn.affiliationDziedzina nauk humanistycznych : literaturoznawstwopl
dc.rightsUdzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 3.0 Polska*
dc.rights.licenceCC-BY-NC-ND
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/legalcode*
dc.share.typeotwarte czasopismo
dc.subject.enrhetoricpl
dc.subject.entropespl
dc.subject.enfigurespl
dc.subject.enantonomasiapl
dc.subject.enMiguel de Cervantes (1547-1616)pl
dc.subject.enDon Quixotepl
dc.subject.enantonomasiapl
dc.subject.plretorykapl
dc.subject.pltropypl
dc.subject.plfigurypl
dc.subject.plantonomazjapl
dc.subject.plMiguel de Cervantes (1547-1616)pl
dc.subject.plDon Kichotepl
dc.subject.plantonomazjapl
dc.subtypeArticlepl
dc.titleW Królestwie Antonomazji : o (meta)fikcji u Cervantesapl
dc.title.alternativeIn the Kingdom of Antonomasia : (meta)fiction in Cervantes’ Don Quixotepl
dc.title.journalRuch Literackipl
dc.typeJournalArticlepl
dspace.entity.typePublication
cris.lastimport.wos
2024-04-10T00:24:55Z
dc.abstract.enpl
The story of Princess Antonomasia is one of the relatively autonomous tales interpolated into the string of adventures centered round the title character of Don Quixote. The fact that the Princess is named after the rhetorical device of antonomasia (pronominatio), well known from ancient and early modern textbooks (Cicero, Quintilian, Erasmus, Juan Luis Vives, Cypriano de Soarez), is also one of the many signals alerting the reader to the multilevel significance of names and naming in Cervantes' fictional world. So, in this case, Antonomasia functions as a regular proper name and, once its figurative potential is factored in, as an alias, hiding or replacing the Princess's real name. In Don Quixote Cervantes uses antonomasia, i.e. the trope of calling a person by a descriptive tag different from his or her given name, not only to multiply new, straightforwardly appropriate epithets, but also to open to metaphor, metonymy, synecdoche, allegory, irony or paradox.
dc.affiliationpl
Wydział Polonistyki : Katedra Komparatystyki Literackiej
dc.contributor.authorpl
Ryczek, Wojciech - 105749
dc.date.accessionpl
2023-05-05
dc.date.accessioned
2023-05-05T11:40:38Z
dc.date.available
2023-05-05T11:40:38Z
dc.date.issuedpl
2022
dc.date.openaccess
0
dc.description.accesstime
w momencie opublikowania
dc.description.numberpl
5 (374)
dc.description.physicalpl
747-763
dc.description.publicationpl
0,8
dc.description.version
ostateczna wersja wydawcy
dc.description.volumepl
63
dc.identifier.doipl
10.24425/rl.2022.142990
dc.identifier.eissnpl
2300-1968
dc.identifier.issnpl
0035-9602
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/311118
dc.identifier.weblinkpl
https://journals.pan.pl/dlibra/publication/142990/edition/127063/content
dc.languagepl
pol
dc.language.containerpl
pol
dc.pbn.affiliationpl
Dziedzina nauk humanistycznych : literaturoznawstwo
dc.rights*
Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 3.0 Polska
dc.rights.licence
CC-BY-NC-ND
dc.rights.uri*
http://creativecommons.org/licenses/by-nc-nd/3.0/legalcode
dc.share.type
otwarte czasopismo
dc.subject.enpl
rhetoric
dc.subject.enpl
tropes
dc.subject.enpl
figures
dc.subject.enpl
antonomasia
dc.subject.enpl
Miguel de Cervantes (1547-1616)
dc.subject.enpl
Don Quixote
dc.subject.enpl
antonomasia
dc.subject.plpl
retoryka
dc.subject.plpl
tropy
dc.subject.plpl
figury
dc.subject.plpl
antonomazja
dc.subject.plpl
Miguel de Cervantes (1547-1616)
dc.subject.plpl
Don Kichote
dc.subject.plpl
antonomazja
dc.subtypepl
Article
dc.titlepl
W Królestwie Antonomazji : o (meta)fikcji u Cervantesa
dc.title.alternativepl
In the Kingdom of Antonomasia : (meta)fiction in Cervantes’ Don Quixote
dc.title.journalpl
Ruch Literacki
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

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